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Noor Imran Mithu

Всього фільмів (на сайті): 3

Ролі: актор (2), режисер (1), сценарист (1)

Фільмографія
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Знайдено 3 результати

Komola Rocket (2018) режисер, сценарист 0.0 imdb 7.3
Сюжет (англ.) As the lives of rich and poor passengers aboard a steamship unfold, buried secrets, lustful affairs and selfish desires are exposed.

Komola Rocket (2018)

Komola Rocket

режисер, сценарист режисер, сценарист
Сюжет (англ.) As the lives of rich and poor passengers aboard a steamship unfold, buried secrets, lustful affairs and selfish desires are exposed.
Piprabidya (2013) актор у ролі Mithu 0.0 imdb 6.2
Сюжет (англ.) A man blackmails a female celeb to fulfill his dirty desire.

Piprabidya (2013)

Piprabidya

актор у ролі Mithu актор у ролі Mithu
Сюжет (англ.) A man blackmails a female celeb to fulfill his dirty desire.
Television (2012) актор у ролі News Reporter 0.0 imdb 8.2
Сюжет (англ.) As a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this traditional window and modern wind grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colorful, eccentric, and emotional people living in that village. But at the very end of the film, Television, which he hated so much, comes to the rescue and helps Chairman Amin reach a transcendental state where he and his God are unified. A new twist to the story makes him embrace IMAGE and IMAGINATION

Television (2012)

Television

актор у ролі News Reporter актор у ролі News Reporter
Сюжет (англ.) As a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this traditional window and modern wind grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colorful, eccentric, and emotional people living in that village. But at the very end of the film, Television, which he hated so much, comes to the rescue and helps Chairman Amin reach a transcendental state where he and his God are unified. A new twist to the story makes him embrace IMAGE and IMAGINATION
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