Jean Rouch
Дата народження: 31 травня 1917
Знак зодіаку: Близнята
Дата смерті: 18 лютого 2004 (86 років)
Місце народження: Париж, Франція
Всього фільмів (на сайті): 34
Ролі: режисер ★ 6.5 (21), актор (16), кінематографіст (10), сценарист ★ 5.33 (7)
Знайдено 34 результати
Сюжет (англ.)
In 1959, an unforgettable boy did "the four hundred tricks" in front of the camera of a beginner named François Truffaut and splashed with his success, popular and Cannes, the filmography of a nascent band of intrepid. Claude Chab...The French New Wave: A Cinema Revolution (2022)
The French New Wave: A Cinema Revolution
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In 1959, an unforgettable boy did "the four hundred tricks" in front of the camera of a beginner named François Truffaut and splashed with his success, popular and Cannes, the filmography of a nascent band of intrepid. Claude Chab...Сюжет (англ.)
A manifesto of independent cinema, free from financial and professional stress. These are not interviews in the strictest sense of the word, but rather, this is a film composed of small conversations that are all part of the mise ...My Conversations on Film (2013)
My Conversations on Film
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A manifesto of independent cinema, free from financial and professional stress. These are not interviews in the strictest sense of the word, but rather, this is a film composed of small conversations that are all part of the mise ...Сюжет (англ.)
Travelling alone, internationally acclaimed and Pulitzer Prize-winning photographer and filmmaker Raymond Depardon spent six years capturing France with a large format camera. This long, solitary road trip provided fertile ground for the creation of an extraordinary travel journal. Depardon revisited important places from his past as a reporter: Chad, Venice and Cannes. Previously unseen footage from his archive has also been added to create an intimate, compelling and revelatory 'Journal de France' - a unique portrait of a country and its landscapes.Journal de France (2012)
Journal de France
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Travelling alone, internationally acclaimed and Pulitzer Prize-winning photographer and filmmaker Raymond Depardon spent six years capturing France with a large format camera. This long, solitary road trip provided fertile ground for the creation of an extraordinary travel journal. Depardon revisited important places from his past as a reporter: Chad, Venice and Cannes. Previously unseen footage from his archive has also been added to create an intimate, compelling and revelatory 'Journal de France' - a unique portrait of a country and its landscapes.Сюжет (англ.)
A documentary meditation on the French film director stresses the time he spent in Brittany and includes interviews, archive material, extracts of writings and juxtapositions of locations used in the work and their present day equ...Jean Epstein, Young Oceans of Cinema (2011)
Jean Epstein, Young Oceans of Cinema
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A documentary meditation on the French film director stresses the time he spent in Brittany and includes interviews, archive material, extracts of writings and juxtapositions of locations used in the work and their present day equ...Сюжет (англ.)
Sodankyla film festival started at 1986 and was created by Finnish directors Anssi Manttari, Aki and Mika Kaurismaki, along with Peter Von Bagh.Sodankyla Forever is a great documentary especially for movie enthusiasts. Following...
Sodankyla Forever (2010)
Sodankyla Forever
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Sodankyla film festival started at 1986 and was created by Finnish directors Anssi Manttari, Aki and Mika Kaurismaki, along with Peter Von Bagh.Sodankyla Forever is a great documentary especially for movie enthusiasts. Following...
Сюжет (англ.)
This is a documentary about direct-cinema from its very beginnings (Nanook of the North) to the fake-direct-cinema of the Blair Witch Project. All the important direct-cinema filmmakers are portrayed and/or interviewed: Leacock, WiseCinéma Vérité: Defining the Moment (2000)
Cinéma Vérité: Defining the Moment
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This is a documentary about direct-cinema from its very beginnings (Nanook of the North) to the fake-direct-cinema of the Blair Witch Project. All the important direct-cinema filmmakers are portrayed and/or interviewed: Leacock, WiseСюжет (англ.)
Documentary about French-born Pierre Verger, who lived between Bahia (Brazil) and Africa from 1946 until his death in 1996, and dedicated himself to photograph and research the Candomblé rites, becoming himself deeply involved wit...Pierre Fatumbi Verger: Messenger Between Two Worlds (2000)
Pierre Fatumbi Verger: Messenger Between Two Worlds
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Documentary about French-born Pierre Verger, who lived between Bahia (Brazil) and Africa from 1946 until his death in 1996, and dedicated himself to photograph and research the Candomblé rites, becoming himself deeply involved wit...Сюжет (англ.)
"Cinema of Our Time" is a documentary series about contemporary filmmakers from around the world, created by Janine Bazin and André S. Labarthe, as a follow-up to the acclaimed initial series "Filmmakers of Our Time" (1964-1972).Cinéma, de notre temps (1989—)
Cinéma, de notre temps
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"Cinema of Our Time" is a documentary series about contemporary filmmakers from around the world, created by Janine Bazin and André S. Labarthe, as a follow-up to the acclaimed initial series "Filmmakers of Our Time" (1964-1972).Сюжет (англ.)
A 151-hour long experimental film by French director Gérard Courant. It is considered to be the longest film ever released.Сюжет (англ.)
The story follows three poultry sellers on a trip across the bush, attempting to deliver a load of chickens to a market in Niamey.Cock-A-Doodle-Doo! Mr Chicken (1974)
Cock-A-Doodle-Doo! Mr Chicken
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The story follows three poultry sellers on a trip across the bush, attempting to deliver a load of chickens to a market in Niamey.Сюжет (англ.)
The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop ...The Year 01 (1973)
The Year 01
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The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop ...Un lion nommé l'américain (1968)
Un lion nommé l'américain
Сюжет (англ.)
The drums of the past. This shooting script was planned to show the most important moment of a possession ritual, during the course of which men from the village of Simiri demand that the ...Drums from the Past (1971)
Drums from the Past
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The drums of the past. This shooting script was planned to show the most important moment of a possession ritual, during the course of which men from the village of Simiri demand that the ...Сюжет (англ.)
An African travels to Paris to learn about the construction of tall buildings, but is soon taken up with the oddities of French life.Little by Little (1970)
Little by Little
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An African travels to Paris to learn about the construction of tall buildings, but is soon taken up with the oddities of French life.Сюжет (англ.)
A group of West African hunters embark on a ritual hunt, tracking a pride of lions which has been attacking their cattle.The Lion Hunters (1966)
The Lion Hunters
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A group of West African hunters embark on a ritual hunt, tracking a pride of lions which has been attacking their cattle.Сюжет (англ.)
The adventures of three young men who leave their homeland Savannah, Niger, and go looking for fortune in Ghana.Сюжет (англ.)
Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rhomer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.Six in Paris (1965)
Six in Paris
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Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rhomer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.Сюжет (англ.)
A documentary short subject on the splendors and miseries of the mid 1960s French youth generation.The Fifteen-Year-Old Widows (1965)
The Fifteen-Year-Old Widows
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A documentary short subject on the splendors and miseries of the mid 1960s French youth generation.Сюжет (англ.)
Un film en quatre épisodes présentant des adolescentes choisies parmi les plus représentatives de leur pays et de notre temps, en Italie, en France, au Japon et au Canada. En dépit des ...That Tender Age (1964)
That Tender Age
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Un film en quatre épisodes présentant des adolescentes choisies parmi les plus représentatives de leur pays et de notre temps, en Italie, en France, au Japon et au Canada. En dépit des ...Сюжет (англ.)
In-depth documentaries about the greatest filmmakers from around the world, all in the form of candid face-to-face interviews, conducted, created and produced by former critics for Les Cahiers du Cinéma, Janine Bazin and André S. ...Cinéastes de notre temps (1964—1972)
Cinéastes de notre temps
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In-depth documentaries about the greatest filmmakers from around the world, all in the form of candid face-to-face interviews, conducted, created and produced by former critics for Les Cahiers du Cinéma, Janine Bazin and André S. ...Сюжет (англ.)
Chris Marker and Pierre Lhomme's LE JOLI MAI (The Lovely Month of May) is a portrait of Paris and Parisians during May 1962;the first springtime of peace after the ceasefire with Algeria ...The Lovely Month of May (1963)
The Lovely Month of May
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Chris Marker and Pierre Lhomme's LE JOLI MAI (The Lovely Month of May) is a portrait of Paris and Parisians during May 1962;the first springtime of peace after the ceasefire with Algeria ...Сюжет (англ.)
An avant-garde political satire that takes place in a mythical country in South America. The dictator has been replaced by a look-alike revolutionary, and the dictator's wife has been replaced by a robot.The Doll (1962)
The Doll
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An avant-garde political satire that takes place in a mythical country in South America. The dictator has been replaced by a look-alike revolutionary, and the dictator's wife has been replaced by a robot.Сюжет (англ.)
An aimless young woman is sent home from school with nothing to do. Drifting through the streets of Paris, she comes across a variety of people.The Punishment (1962)
The Punishment
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An aimless young woman is sent home from school with nothing to do. Drifting through the streets of Paris, she comes across a variety of people.Сюжет (англ.)
Real-life individuals discuss topics on society, happiness in the working class among others and with those testimonies the filmmakers create fictional moments based on their interviews. Later on, the individuals discuss the images created with their own words and see if the movie obtained their level of reality.Chronicle of a Summer (1961)
Chronicle of a Summer
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Real-life individuals discuss topics on society, happiness in the working class among others and with those testimonies the filmmakers create fictional moments based on their interviews. Later on, the individuals discuss the images created with their own words and see if the movie obtained their level of reality.Сюжет (англ.)
The arrival of Nadine, a new student, in the Abidjan Lyceum is the starting point for a discussion about interratial relationships.The Human Pyramid (1961)
The Human Pyramid
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The arrival of Nadine, a new student, in the Abidjan Lyceum is the starting point for a discussion about interratial relationships.Сюжет (англ.)
"I, a Negro" depicts young Nigerien immigrants who left their country to find work in the Ivory Coast, in the Treichville quarter of Abidjan, the capital. These immigrants live in squalor in Treichville, envious of the bordering quarters of The Plateau (the business and industrial district) and the old African quarter of Adjame. The film traces a week in these immigrants' lives, blurring the line between their characters' routines and their own. Every morning, Tarzan, Eddy Constantine and Edward G. Robinson seek work in Treichville in hopes of getting the 20 francs that a bowl of soup costs them. They perform menial jobs as dockers carrying sacks and handy labor shipping supplies to Europe. At night, they drink away their sorrows in bars while dreaming about their idealized lives as their "movie" alter-egos, alternatively as an FBI Agent, a womanizing bachelor, a successful boxer, and even able to stand up to the white colonialists that seduce away their women. These dream-like sequences are shot in a poetic mode. Each day is introduced by an interstitial voice of god omniscient narration from Jean Rouch, providing a universal thematic distance to the movie's events. The film is book-ended by a narration directed at both Petit Jules and the audience from Edward G. Robinson fondly looking back on his childhood in Niger and concluding that his life is worthy of his dreams.Я – негр (1958)
Moi, un Noir
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"I, a Negro" depicts young Nigerien immigrants who left their country to find work in the Ivory Coast, in the Treichville quarter of Abidjan, the capital. These immigrants live in squalor in Treichville, envious of the bordering quarters of The Plateau (the business and industrial district) and the old African quarter of Adjame. The film traces a week in these immigrants' lives, blurring the line between their characters' routines and their own. Every morning, Tarzan, Eddy Constantine and Edward G. Robinson seek work in Treichville in hopes of getting the 20 francs that a bowl of soup costs them. They perform menial jobs as dockers carrying sacks and handy labor shipping supplies to Europe. At night, they drink away their sorrows in bars while dreaming about their idealized lives as their "movie" alter-egos, alternatively as an FBI Agent, a womanizing bachelor, a successful boxer, and even able to stand up to the white colonialists that seduce away their women. These dream-like sequences are shot in a poetic mode. Each day is introduced by an interstitial voice of god omniscient narration from Jean Rouch, providing a universal thematic distance to the movie's events. The film is book-ended by a narration directed at both Petit Jules and the audience from Edward G. Robinson fondly looking back on his childhood in Niger and concluding that his life is worthy of his dreams.Сюжет (англ.)
In one of the first mockumentaries ever created, director Jean Rouch takes his viewers to the city of Accra (West Africa) where he follows the Hauka movement and their religious and ritual proceedings which works as an effective way to challenge and resist the British colonialism of the period. The indigenous people's rituals includes strange and frantic dances, chanting, sacrifices and some mockery of the Europeans living there.The Mad Masters (1955)
The Mad Masters
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In one of the first mockumentaries ever created, director Jean Rouch takes his viewers to the city of Accra (West Africa) where he follows the Hauka movement and their religious and ritual proceedings which works as an effective way to challenge and resist the British colonialism of the period. The indigenous people's rituals includes strange and frantic dances, chanting, sacrifices and some mockery of the Europeans living there.Увійдіть, будь ласка, щоб коментувати
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