Jean Rouch
Дата народження: 31 травня 1917
Знак зодіаку: Близнята
Дата смерті: 18 лютого 2004 (86 років)
Місце народження: Париж, Франція
Всього фільмів (на сайті): 34
Ролі: режисер ★ 6.5 (21), актор (16), кінематографіст (10), сценарист ★ 5.33 (7)
Знайдено 7 результатів
6.8 Сюжет (англ.)
The drums of the past. This shooting script was planned to show the most important moment of a possession ritual, during the course of which men from the village of Simiri demand that the ...
Drums from the Past (1971)
Drums from the Past
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The drums of the past. This shooting script was planned to show the most important moment of a possession ritual, during the course of which men from the village of Simiri demand that the ...
Сюжет (англ.)
An African travels to Paris to learn about the construction of tall buildings, but is soon taken up with the oddities of French life.
Little by Little (1970)
Little by Little
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An African travels to Paris to learn about the construction of tall buildings, but is soon taken up with the oddities of French life.
Сюжет (англ.)
Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rhomer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.
Six in Paris (1965)
Six in Paris
Читати опис (англ.)
Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rhomer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.
Сюжет (англ.)
An aimless young woman is sent home from school with nothing to do. Drifting through the streets of Paris, she comes across a variety of people.
The Punishment (1962)
The Punishment
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An aimless young woman is sent home from school with nothing to do. Drifting through the streets of Paris, she comes across a variety of people.
Сюжет (англ.)
The arrival of Nadine, a new student, in the Abidjan Lyceum is the starting point for a discussion about interratial relationships.
The Human Pyramid (1961)
The Human Pyramid
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The arrival of Nadine, a new student, in the Abidjan Lyceum is the starting point for a discussion about interratial relationships.
Сюжет (англ.)
"I, a Negro" depicts young Nigerien immigrants who left their country to find work in the Ivory Coast, in the Treichville quarter of Abidjan, the capital. These immigrants live in squalor in Treichville, envious of the bordering quarters of The Plateau (the business and industrial district) and the old African quarter of Adjame. The film traces a week in these immigrants' lives, blurring the line between their characters' routines and their own. Every morning, Tarzan, Eddy Constantine and Edward G. Robinson seek work in Treichville in hopes of getting the 20 francs that a bowl of soup costs them. They perform menial jobs as dockers carrying sacks and handy labor shipping supplies to Europe. At night, they drink away their sorrows in bars while dreaming about their idealized lives as their "movie" alter-egos, alternatively as an FBI Agent, a womanizing bachelor, a successful boxer, and even able to stand up to the white colonialists that seduce away their women. These dream-like sequences are shot in a poetic mode. Each day is introduced by an interstitial voice of god omniscient narration from Jean Rouch, providing a universal thematic distance to the movie's events. The film is book-ended by a narration directed at both Petit Jules and the audience from Edward G. Robinson fondly looking back on his childhood in Niger and concluding that his life is worthy of his dreams.
Я – негр (1958)
Moi, un Noir
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"I, a Negro" depicts young Nigerien immigrants who left their country to find work in the Ivory Coast, in the Treichville quarter of Abidjan, the capital. These immigrants live in squalor in Treichville, envious of the bordering quarters of The Plateau (the business and industrial district) and the old African quarter of Adjame. The film traces a week in these immigrants' lives, blurring the line between their characters' routines and their own. Every morning, Tarzan, Eddy Constantine and Edward G. Robinson seek work in Treichville in hopes of getting the 20 francs that a bowl of soup costs them. They perform menial jobs as dockers carrying sacks and handy labor shipping supplies to Europe. At night, they drink away their sorrows in bars while dreaming about their idealized lives as their "movie" alter-egos, alternatively as an FBI Agent, a womanizing bachelor, a successful boxer, and even able to stand up to the white colonialists that seduce away their women. These dream-like sequences are shot in a poetic mode. Each day is introduced by an interstitial voice of god omniscient narration from Jean Rouch, providing a universal thematic distance to the movie's events. The film is book-ended by a narration directed at both Petit Jules and the audience from Edward G. Robinson fondly looking back on his childhood in Niger and concluding that his life is worthy of his dreams.
Сюжет (англ.)
After experience a bad catch, the inhabitants of a fishing village hold a ceremony to honour Mammy Water and restore their fortunes.
Mammy Water (1953)
Mammy Water
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After experience a bad catch, the inhabitants of a fishing village hold a ceremony to honour Mammy Water and restore their fortunes.Увійдіть, будь ласка, щоб коментувати
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