Харун Фароки
Harun Farocki
Дата народження: 9 січня 1944
Знак зодіаку: Козоріг
Дата смерті: 30 липня 2014 (70 років)
Місце народження: Neutitschein, Судетська [зараз Новий Jicín, Чеська Республіка]
Всього фільмів (на сайті): 35
Ролі: сценарист ★ 6.69 (26), режисер ★ 4 (22), актор (13), продюсер (11)
Знайдено 35 результатів
Сюжет (англ.)
Knokke, Belgium. A small mundane coastal town hosts the world's first festival dedicated to avant-garde cinema: EXPRMNTL. The festival knew only five editions but those five editions soon became legendary.Exprmntl (2016)
Exprmntl
Сюжет (англ.)
Knokke, Belgium. A small mundane coastal town hosts the world's first festival dedicated to avant-garde cinema: EXPRMNTL. The festival knew only five editions but those five editions soon became legendary.Сюжет (англ.)
Film based on the rise of The Red Army Faction, German revolutionary terrorist group founded by Andreas Baader and Ulrike Meinhof.A German Youth (2015)
A German Youth
Сюжет (англ.)
Film based on the rise of The Red Army Faction, German revolutionary terrorist group founded by Andreas Baader and Ulrike Meinhof.Сюжет
Неллі Ленц - жертва Голокосту, якій вдалося вижити в концтаборі. Вона поранена, у неї сильно покалічене обличчя. Співробітниця Єврейського агентства Лене Вінтер допомагає Неллі дістатися до Берліна, де їй зробили пластичну операцію. Одужавши після операції, Неллі починає шукати свого чоловіка, Йоганнса. Коли вона нарешті знайшла його, Йоганнес не впізнав свою дружину, яку вважав загиблою. Тим не менш, він визнає, що ця незнайома йому жінка схожа на його «покійну» дружину. І тоді Йоганнес робить ділову пропозицію Неллі - вона повинна буде зображати його дружину, щоб отримати статок, який їй дістався від сім'ї. Неллі погоджується ..Фенікс (2014)
Phoenix
12+Сюжет
Неллі Ленц - жертва Голокосту, якій вдалося вижити в концтаборі. Вона поранена, у неї сильно покалічене обличчя. Співробітниця Єврейського агентства Лене Вінтер допомагає Неллі дістатися до Берліна, де їй зробили пластичну операцію. Одужавши після операції, Неллі починає шукати свого чоловіка, Йоганнса. Коли вона нарешті знайшла його, Йоганнес не впізнав свою дружину, яку вважав загиблою. Тим не менш, він визнає, що ця незнайома йому жінка схожа на його «покійну» дружину. І тоді Йоганнес робить ділову пропозицію Неллі - вона повинна буде зображати його дружину, щоб отримати статок, який їй дістався від сім'ї. Неллі погоджується ..Сюжет (англ.)
“The GSW Highrise in the Kreuzberg area of Berlin made the architects Sauerbruch and Hutton well known. The concave slab highrise of 18 floors has hundreds of windows, each with a blind colored slightly different from the next, producing a monumental composition that changes daily or even within the hour as the users of the building raise or lower them, partially or completely, as shade from the sunlight. The structures of these two architects appeal to me. They are bent on ecological efficiency, and they are lavish with their ideas. They are playful without being arbitrary. They are bound to the formal language of modernity without being dogmatic.”—Harun FarockiSauerbruch Hutton Architects (2013)
Sauerbruch Hutton Architects
Сюжет (англ.)
“The GSW Highrise in the Kreuzberg area of Berlin made the architects Sauerbruch and Hutton well known. The concave slab highrise of 18 floors has hundreds of windows, each with a blind colored slightly different from the next, producing a monumental composition that changes daily or even within the hour as the users of the building raise or lower them, partially or completely, as shade from the sunlight. The structures of these two architects appeal to me. They are bent on ecological efficiency, and they are lavish with their ideas. They are playful without being arbitrary. They are bound to the formal language of modernity without being dogmatic.”—Harun FarockiСюжет
Барбара, молода лікарка у Східній Німеччині часів СРСР, подає документи на виїзд за кордон. Її ж по тому одразу карають засланням – працювати до глухої провінції. Тим часом коханий Барбари, що живе в Західній Німеччині, готує для неї втечу...Барбара (2012)
Barbara
12+Сюжет
Барбара, молода лікарка у Східній Німеччині часів СРСР, подає документи на виїзд за кордон. Її ж по тому одразу карають засланням – працювати до глухої провінції. Тим часом коханий Барбари, що живе в Західній Німеччині, готує для неї втечу...Сюжет (англ.)
In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many ...In Comparison (2009)
In Comparison
Сюжет (англ.)
In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many ...Сюжет (англ.)
Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.Memories (2007)
Memories
Сюжет (англ.)
Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.Сюжет (англ.)
Respite consists of silent black-and-white film shot at Westerbork, a Dutch refugee camp established in 1939 for Jews fleeing Germany. In 1942, after the occupation of Holland, its function was reversed by the Nazis and it became a 'transit camp.' In 1944, the camp commander commissioned a film, shot by a photographer, Rudolph Breslauer. “By exhuming the scattered fragments and traces of the phantom film (intertitle cards, ideas for the scenario, graphic elements), Harun Farocki inscribes the Dutch footage within the genre of the corporate film.Respite (2007)
Respite
Сюжет (англ.)
Respite consists of silent black-and-white film shot at Westerbork, a Dutch refugee camp established in 1939 for Jews fleeing Germany. In 1942, after the occupation of Holland, its function was reversed by the Nazis and it became a 'transit camp.' In 1944, the camp commander commissioned a film, shot by a photographer, Rudolph Breslauer. “By exhuming the scattered fragments and traces of the phantom film (intertitle cards, ideas for the scenario, graphic elements), Harun Farocki inscribes the Dutch footage within the genre of the corporate film.Сюжет (англ.)
Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...Ghosts (2005)
Ghosts
12+Сюжет (англ.)
Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...Сюжет (англ.)
In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of "War at a Distance", which continues the deconstruction of claims to visual objectivity Harun Farocki developed in his earlier work. With the help of archival and original material, Farocki sets out in effect to define the relationship between military strategy and industrial production and sheds light on how the technology of war finds applications in everyday life.War at a Distance (2003)
War at a Distance
Сюжет (англ.)
In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of "War at a Distance", which continues the deconstruction of claims to visual objectivity Harun Farocki developed in his earlier work. With the help of archival and original material, Farocki sets out in effect to define the relationship between military strategy and industrial production and sheds light on how the technology of war finds applications in everyday life.Сюжет (англ.)
"Starbuck", the name of the navigator from the book Moby Dick, was also the undercover alias of Holger Meins (1941-1974), the navigator of the Baader-Meinhof group. A documentary about a young man who died at the age of 33 as a resulStarbuck Holger Meins (2002)
Starbuck Holger Meins
Сюжет (англ.)
"Starbuck", the name of the navigator from the book Moby Dick, was also the undercover alias of Holger Meins (1941-1974), the navigator of the Baader-Meinhof group. A documentary about a young man who died at the age of 33 as a resulСюжет (англ.)
Clara and Hans are left-wing terrorists who have been searched by police for almost fifteen years. Their increasingly rebellious daughter Jeanne begins to pose a threat to their security when she falls in love with a boy she meets on the beach.The State I Am In (2000)
The State I Am In
Сюжет (англ.)
Clara and Hans are left-wing terrorists who have been searched by police for almost fifteen years. Their increasingly rebellious daughter Jeanne begins to pose a threat to their security when she falls in love with a boy she meets on the beach.Сюжет (англ.)
Images from the films of Robert Bresson and Jean Genet as well as documentaries of the Nazi period exist in dialogue with discarded surveillance recordings from maximum-security prisons in the United States.Prison Images (2001)
Prison Images
Сюжет (англ.)
Images from the films of Robert Bresson and Jean Genet as well as documentaries of the Nazi period exist in dialogue with discarded surveillance recordings from maximum-security prisons in the United States.Сюжет (англ.)
What Farocki Taught is a stubborn film, containing a perfect replica, shot-for-shot, in color and English, of Harun Farocki's 1969 b/w German film 'Inextinguishable Fire' - about the ...What Farocki Taught (1998)
What Farocki Taught
Сюжет (англ.)
What Farocki Taught is a stubborn film, containing a perfect replica, shot-for-shot, in color and English, of Harun Farocki's 1969 b/w German film 'Inextinguishable Fire' - about the ...Сюжет (англ.)
Historically, the cinema close-up was initially employed to convey emotions through facial expressions. But soon filmmakers also began focusing their attention on hands. Using film extracts, Farocki explores this visual language, its symbolism, Freudian slips, automatisms and its music. Often, hands betray an emotion which the face tries to dissimulate. They can also function as a conduit (exchanging money) or witness to a form of competence (work).The Expression of Hands (1997)
The Expression of Hands
Сюжет (англ.)
Historically, the cinema close-up was initially employed to convey emotions through facial expressions. But soon filmmakers also began focusing their attention on hands. Using film extracts, Farocki explores this visual language, its symbolism, Freudian slips, automatisms and its music. Often, hands betray an emotion which the face tries to dissimulate. They can also function as a conduit (exchanging money) or witness to a form of competence (work).Сюжет (англ.)
According to Harun Farocki, today's photographers working in advertising are, in a way, continuing the tradition of 17th century Flemish painters in that they depict objects from everyday life - the "still life". The filmmaker illustrates this intriguing hypothesis with three documentary sequences which show the photographers at work creating a contemporary "still life": a cheese-board, beer glasses and an expensive watch.Still Life (1997)
Still Life
12+Сюжет (англ.)
According to Harun Farocki, today's photographers working in advertising are, in a way, continuing the tradition of 17th century Flemish painters in that they depict objects from everyday life - the "still life". The filmmaker illustrates this intriguing hypothesis with three documentary sequences which show the photographers at work creating a contemporary "still life": a cheese-board, beer glasses and an expensive watch.Сюжет (англ.)
Tom is constantly running into problems and gets beaten up time and time again.Cuba Libre (1996)
Cuba Libre
Сюжет (англ.)
Tom is constantly running into problems and gets beaten up time and time again.Сюжет (англ.)
N/AWorkers Leaving the Factory (1995)
Workers Leaving the Factory
Сюжет (англ.)
N/AСюжет (англ.)
A minute-by-minute chronology of the Romanian revolution in December 1989 in Bucharest. This cinematic montage of live footage from the state television company TVR and video taken by numerous amateurs becomes a new media-based form of historiography.Videograms of a Revolution (1992)
Videograms of a Revolution
Сюжет (англ.)
A minute-by-minute chronology of the Romanian revolution in December 1989 in Bucharest. This cinematic montage of live footage from the state television company TVR and video taken by numerous amateurs becomes a new media-based form of historiography.Сюжет (англ.)
Documentary examines the 'blind spot' of the evaluators of aerial footage of the IG Farben industrial plant taken by the Americans in 1944.Images of the World and the Inscription of War (1989)
Images of the World and the Inscription of War
Сюжет (англ.)
Documentary examines the 'blind spot' of the evaluators of aerial footage of the IG Farben industrial plant taken by the Americans in 1944.Сюжет (англ.)
An oddity: a mock-documentary, satirizing West German life, from the perspective of a leftwing East German filmmaker.How to Live in the German Federal Republic (1990)
How to Live in the German Federal Republic
Сюжет (англ.)
An oddity: a mock-documentary, satirizing West German life, from the perspective of a leftwing East German filmmaker.Image und Umsatz oder: Wie kann man einen Schuh darstellen? (1989)
Image und Umsatz oder: Wie kann man einen Schuh darstellen?
Сюжет (англ.)
A montage of images and topics, documentary style, connected more by theme than subject matter. Such topics include weaving machines and motors and their development through history. Theme ...As You See (1986)
As You See
Сюжет (англ.)
A montage of images and topics, documentary style, connected more by theme than subject matter. Such topics include weaving machines and motors and their development through history. Theme ...Сюжет (англ.)
In this 'film-noir' on double identity and role reversal, a man is looking for a woman to love. He finds her in a seedy bar and persuades her to marry him. The day she decides to flee, he kills her. To ward off suspicion, he moves...Betrayed (1985)
Betrayed
Сюжет (англ.)
In this 'film-noir' on double identity and role reversal, a man is looking for a woman to love. He finds her in a seedy bar and persuades her to marry him. The day she decides to flee, he kills her. To ward off suspicion, he moves...Сюжет (англ.)
A young man, recently arrived in New York from Europe, becomes swept up in a series of events that are beyond his knowledge or control.Class Relations (1984)
Class Relations
Сюжет (англ.)
A young man, recently arrived in New York from Europe, becomes swept up in a series of events that are beyond his knowledge or control.Before Your Eyes - Vietnam (1981)
Before Your Eyes - Vietnam
Between Two Wars (1978)
Between Two Wars
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