Харун Фароки
Harun Farocki
Дата народження: 9 січня 1944
Знак зодіаку: Козоріг
Дата смерті: 30 липня 2014 (70 років)
Місце народження: Neutitschein, Судетська [зараз Новий Jicín, Чеська Республіка]
Всього фільмів (на сайті): 35
Ролі: сценарист ★ 6.7 (26), режисер ★ 4 (22), актор (13), продюсер (11)
Знайдено 22 результати
Сюжет (англ.)
“The GSW Highrise in the Kreuzberg area of Berlin made the architects Sauerbruch and Hutton well known. The concave slab highrise of 18 floors has hundreds of windows, each with a blind colored slightly different from the next, producing a monumental composition that changes daily or even within the hour as the users of the building raise or lower them, partially or completely, as shade from the sunlight. The structures of these two architects appeal to me. They are bent on ecological efficiency, and they are lavish with their ideas. They are playful without being arbitrary. They are bound to the formal language of modernity without being dogmatic.”—Harun FarockiSauerbruch Hutton Architects (2013)
Sauerbruch Hutton Architects
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“The GSW Highrise in the Kreuzberg area of Berlin made the architects Sauerbruch and Hutton well known. The concave slab highrise of 18 floors has hundreds of windows, each with a blind colored slightly different from the next, producing a monumental composition that changes daily or even within the hour as the users of the building raise or lower them, partially or completely, as shade from the sunlight. The structures of these two architects appeal to me. They are bent on ecological efficiency, and they are lavish with their ideas. They are playful without being arbitrary. They are bound to the formal language of modernity without being dogmatic.”—Harun FarockiСюжет (англ.)
In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many ...In Comparison (2009)
In Comparison
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In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many ...Сюжет (англ.)
Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.Memories (2007)
Memories
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Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.Сюжет (англ.)
Respite consists of silent black-and-white film shot at Westerbork, a Dutch refugee camp established in 1939 for Jews fleeing Germany. In 1942, after the occupation of Holland, its function was reversed by the Nazis and it became a 'transit camp.' In 1944, the camp commander commissioned a film, shot by a photographer, Rudolph Breslauer. “By exhuming the scattered fragments and traces of the phantom film (intertitle cards, ideas for the scenario, graphic elements), Harun Farocki inscribes the Dutch footage within the genre of the corporate film.Respite (2007)
Respite
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Respite consists of silent black-and-white film shot at Westerbork, a Dutch refugee camp established in 1939 for Jews fleeing Germany. In 1942, after the occupation of Holland, its function was reversed by the Nazis and it became a 'transit camp.' In 1944, the camp commander commissioned a film, shot by a photographer, Rudolph Breslauer. “By exhuming the scattered fragments and traces of the phantom film (intertitle cards, ideas for the scenario, graphic elements), Harun Farocki inscribes the Dutch footage within the genre of the corporate film.Nothing Ventured (2004)
Nothing Ventured
Сюжет (англ.)
In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of "War at a Distance", which continues the deconstruction of claims to visual objectivity Harun Farocki developed in his earlier work. With the help of archival and original material, Farocki sets out in effect to define the relationship between military strategy and industrial production and sheds light on how the technology of war finds applications in everyday life.War at a Distance (2003)
War at a Distance
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In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of "War at a Distance", which continues the deconstruction of claims to visual objectivity Harun Farocki developed in his earlier work. With the help of archival and original material, Farocki sets out in effect to define the relationship between military strategy and industrial production and sheds light on how the technology of war finds applications in everyday life.Сюжет (англ.)
Images from the films of Robert Bresson and Jean Genet as well as documentaries of the Nazi period exist in dialogue with discarded surveillance recordings from maximum-security prisons in the United States.Prison Images (2001)
Prison Images
Читати опис (англ.)
Images from the films of Robert Bresson and Jean Genet as well as documentaries of the Nazi period exist in dialogue with discarded surveillance recordings from maximum-security prisons in the United States.Сюжет (англ.)
Historically, the cinema close-up was initially employed to convey emotions through facial expressions. But soon filmmakers also began focusing their attention on hands. Using film extracts, Farocki explores this visual language, its symbolism, Freudian slips, automatisms and its music. Often, hands betray an emotion which the face tries to dissimulate. They can also function as a conduit (exchanging money) or witness to a form of competence (work).The Expression of Hands (1997)
The Expression of Hands
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Historically, the cinema close-up was initially employed to convey emotions through facial expressions. But soon filmmakers also began focusing their attention on hands. Using film extracts, Farocki explores this visual language, its symbolism, Freudian slips, automatisms and its music. Often, hands betray an emotion which the face tries to dissimulate. They can also function as a conduit (exchanging money) or witness to a form of competence (work).Сюжет (англ.)
According to Harun Farocki, today's photographers working in advertising are, in a way, continuing the tradition of 17th century Flemish painters in that they depict objects from everyday life - the "still life". The filmmaker illustrates this intriguing hypothesis with three documentary sequences which show the photographers at work creating a contemporary "still life": a cheese-board, beer glasses and an expensive watch.Still Life (1997)
Still Life
12+Читати опис (англ.)
According to Harun Farocki, today's photographers working in advertising are, in a way, continuing the tradition of 17th century Flemish painters in that they depict objects from everyday life - the "still life". The filmmaker illustrates this intriguing hypothesis with three documentary sequences which show the photographers at work creating a contemporary "still life": a cheese-board, beer glasses and an expensive watch.Workers Leaving the Factory (1995)
Workers Leaving the Factory
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N/AСюжет (англ.)
A minute-by-minute chronology of the Romanian revolution in December 1989 in Bucharest. This cinematic montage of live footage from the state television company TVR and video taken by numerous amateurs becomes a new media-based form of historiography.Videograms of a Revolution (1992)
Videograms of a Revolution
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A minute-by-minute chronology of the Romanian revolution in December 1989 in Bucharest. This cinematic montage of live footage from the state television company TVR and video taken by numerous amateurs becomes a new media-based form of historiography.Сюжет (англ.)
Documentary examines the 'blind spot' of the evaluators of aerial footage of the IG Farben industrial plant taken by the Americans in 1944.Images of the World and the Inscription of War (1989)
Images of the World and the Inscription of War
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Documentary examines the 'blind spot' of the evaluators of aerial footage of the IG Farben industrial plant taken by the Americans in 1944.Сюжет (англ.)
An oddity: a mock-documentary, satirizing West German life, from the perspective of a leftwing East German filmmaker.How to Live in the German Federal Republic (1990)
How to Live in the German Federal Republic
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An oddity: a mock-documentary, satirizing West German life, from the perspective of a leftwing East German filmmaker.Image und Umsatz oder: Wie kann man einen Schuh darstellen? (1989)
Image und Umsatz oder: Wie kann man einen Schuh darstellen?
Сюжет (англ.)
A montage of images and topics, documentary style, connected more by theme than subject matter. Such topics include weaving machines and motors and their development through history. Theme ...As You See (1986)
As You See
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A montage of images and topics, documentary style, connected more by theme than subject matter. Such topics include weaving machines and motors and their development through history. Theme ...Сюжет (англ.)
In this 'film-noir' on double identity and role reversal, a man is looking for a woman to love. He finds her in a seedy bar and persuades her to marry him. The day she decides to flee, he kills her. To ward off suspicion, he moves...Betrayed (1985)
Betrayed
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In this 'film-noir' on double identity and role reversal, a man is looking for a woman to love. He finds her in a seedy bar and persuades her to marry him. The day she decides to flee, he kills her. To ward off suspicion, he moves...Before Your Eyes - Vietnam (1981)
Before Your Eyes - Vietnam
Between Two Wars (1978)
Between Two Wars
Сюжет (англ.)
Short film which explores the origins of napalm, it's use in the Vietnam war, and it's evil effects on society.The Inextinguishable Fire (1969)
The Inextinguishable Fire
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Short film which explores the origins of napalm, it's use in the Vietnam war, and it's evil effects on society.Сюжет (англ.)
A red flag is carried in the middle of the busy Berlin streets in a relay race through the city. The relay race, in which a total of 15 people are involved, begins in the Schloßstraße in ...Color Test: The Red Flag (1968)
Color Test: The Red Flag
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A red flag is carried in the middle of the busy Berlin streets in a relay race through the city. The relay race, in which a total of 15 people are involved, begins in the Schloßstraße in ...Сюжет (англ.)
This short film interprets some statements from Lin Piao about Mao Tse Tung.The Words of the Chairman (1969)
The Words of the Chairman
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This short film interprets some statements from Lin Piao about Mao Tse Tung.Увійдіть, будь ласка, щоб коментувати
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