Харун Фароки
Harun Farocki
Дата народження: 9 січня 1944
Знак зодіаку: Козоріг
Дата смерті: 30 липня 2014 (70 років)
Місце народження: Neutitschein, Судетська [зараз Новий Jicín, Чеська Республіка]
Всього фільмів (на сайті): 35
Ролі: сценарист ★ 6.7 (26), режисер ★ 4 (22), актор (13), продюсер (11)
Знайдено 11 результат
7.6 Сюжет (англ.)
In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many ...
In Comparison (2009)
In Comparison
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In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many ...
Сюжет (англ.)
Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.
Memories (2007)
Memories
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Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.
Сюжет (англ.)
Respite consists of silent black-and-white film shot at Westerbork, a Dutch refugee camp established in 1939 for Jews fleeing Germany. In 1942, after the occupation of Holland, its function was reversed by the Nazis and it became a 'transit camp.' In 1944, the camp commander commissioned a film, shot by a photographer, Rudolph Breslauer. “By exhuming the scattered fragments and traces of the phantom film (intertitle cards, ideas for the scenario, graphic elements), Harun Farocki inscribes the Dutch footage within the genre of the corporate film.
Respite (2007)
Respite
Читати опис (англ.)
Respite consists of silent black-and-white film shot at Westerbork, a Dutch refugee camp established in 1939 for Jews fleeing Germany. In 1942, after the occupation of Holland, its function was reversed by the Nazis and it became a 'transit camp.' In 1944, the camp commander commissioned a film, shot by a photographer, Rudolph Breslauer. “By exhuming the scattered fragments and traces of the phantom film (intertitle cards, ideas for the scenario, graphic elements), Harun Farocki inscribes the Dutch footage within the genre of the corporate film.
Nothing Ventured (2004)
Nothing Ventured
Сюжет (англ.)
Images from the films of Robert Bresson and Jean Genet as well as documentaries of the Nazi period exist in dialogue with discarded surveillance recordings from maximum-security prisons in the United States.
Prison Images (2001)
Prison Images
Читати опис (англ.)
Images from the films of Robert Bresson and Jean Genet as well as documentaries of the Nazi period exist in dialogue with discarded surveillance recordings from maximum-security prisons in the United States.
Сюжет (англ.)
N/A
Workers Leaving the Factory (1995)
Workers Leaving the Factory
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N/A
Сюжет (англ.)
A minute-by-minute chronology of the Romanian revolution in December 1989 in Bucharest. This cinematic montage of live footage from the state television company TVR and video taken by numerous amateurs becomes a new media-based form of historiography.
Videograms of a Revolution (1992)
Videograms of a Revolution
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A minute-by-minute chronology of the Romanian revolution in December 1989 in Bucharest. This cinematic montage of live footage from the state television company TVR and video taken by numerous amateurs becomes a new media-based form of historiography.
Сюжет (англ.)
An oddity: a mock-documentary, satirizing West German life, from the perspective of a leftwing East German filmmaker.
How to Live in the German Federal Republic (1990)
How to Live in the German Federal Republic
Читати опис (англ.)
An oddity: a mock-documentary, satirizing West German life, from the perspective of a leftwing East German filmmaker.
Сюжет (англ.)
A montage of images and topics, documentary style, connected more by theme than subject matter. Such topics include weaving machines and motors and their development through history. Theme ...
As You See (1986)
As You See
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A montage of images and topics, documentary style, connected more by theme than subject matter. Such topics include weaving machines and motors and their development through history. Theme ...
Before Your Eyes - Vietnam (1981)
Before Your Eyes - Vietnam
Between Two Wars (1978)
Between Two Wars
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