Фільмографія
Сюжет (англ.)
The melancholy, homely Kamimura is a hit man who takes a job to kill a mob boss who's gotten greedy. The rival gang lord who hires Kamimura and his driver Shun pays them and sets them up in a hotel for a night while arranging safe passage on a ship. The son of the dead man comes to his rival and offers a partnership and cash in exchange for Kamimura's death. The boss considers his choice: morals or money? A maid at the hotel tries to aid the escape of Kamimura and Shun. As the two gangs close in, Kamimura chooses honor. Will his stoicism be his shroud?A Colt Is My Passport (1967)
A Colt Is My Passport
актор
4 лютого 1967 (Світ)
Японія
1 год 24 хв
Читати опис (англ.)
The melancholy, homely Kamimura is a hit man who takes a job to kill a mob boss who's gotten greedy. The rival gang lord who hires Kamimura and his driver Shun pays them and sets them up in a hotel for a night while arranging safe passage on a ship. The son of the dead man comes to his rival and offers a partnership and cash in exchange for Kamimura's death. The boss considers his choice: morals or money? A maid at the hotel tries to aid the escape of Kamimura and Shun. As the two gangs close in, Kamimura chooses honor. Will his stoicism be his shroud?Сюжет (англ.)
In Okayama in the mid-1930s, Kiroku attends high school and boards with a Catholic family whose daughter, Michiko, captures his heart. He must, however, hide his ardor and other aspects of his emerging sexuality, focusing his energy on a gang he joins, breaking school rules, and getting into scuffles (he tells her, "Oh, Michiko, I don't masturbate, I fight"). He comes under the influence of a young tough nicknamed Terrapin, and together they lead fights against rival gangs. Gradually, Kiroku and Terrapin align themselves with the right-wing Kita Ikki, and Kiroku becomes a stand-in for the attitudes of Japanese youth who embraced the imperialism leading to World War II.けんかえれじい (1966)
Fighting Elegy
актор
9 листопада 1966 (Світ)
Японія
1 год 26 хв
Читати опис (англ.)
In Okayama in the mid-1930s, Kiroku attends high school and boards with a Catholic family whose daughter, Michiko, captures his heart. He must, however, hide his ardor and other aspects of his emerging sexuality, focusing his energy on a gang he joins, breaking school rules, and getting into scuffles (he tells her, "Oh, Michiko, I don't masturbate, I fight"). He comes under the influence of a young tough nicknamed Terrapin, and together they lead fights against rival gangs. Gradually, Kiroku and Terrapin align themselves with the right-wing Kita Ikki, and Kiroku becomes a stand-in for the attitudes of Japanese youth who embraced the imperialism leading to World War II.Сюжет (англ.)
When a mob cartel is threatened with assassination of its leadership, and indeed one of its heads is shot, the remaining heads hire hitmen of their own via an audition as defense. With ...Murder Unincorporated (1965)
Murder Unincorporated
актор
25 серпня 1965 (Світ)
Японія
1 год 25 хв
Читати опис (англ.)
When a mob cartel is threatened with assassination of its leadership, and indeed one of its heads is shot, the remaining heads hire hitmen of their own via an audition as defense. With ...Сюжет (англ.)
A violent thug plays opposing yakuza bosses against each other.Youth of the Beast (1963)
Youth of the Beast
актор
21 квітня 1963 (Світ)
Японія
1 год 32 хв
Читати опис (англ.)
A violent thug plays opposing yakuza bosses against each other.Сюжет (англ.)
Seijun Suzuki's DETECTIVE BUREAU 2-3: GO TO HELL BASTARDS follows police detective Tajima (Shishido), who, tasked with tracking down stolen firearms, turns an underworld grudge into a bloodbath. Suzuki transforms a colorful potboiler into an on-target send-up of cultural colonialism and post-war greed.Detective Bureau 2-3: Go to Hell, Bastards! (1963)
Detective Bureau 2-3: Go to Hell, Bastards!
актор
27 січня 1963 (Світ)
Японія
1 год 29 хв
Читати опис (англ.)
Seijun Suzuki's DETECTIVE BUREAU 2-3: GO TO HELL BASTARDS follows police detective Tajima (Shishido), who, tasked with tracking down stolen firearms, turns an underworld grudge into a bloodbath. Suzuki transforms a colorful potboiler into an on-target send-up of cultural colonialism and post-war greed.
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