Almantas Grikevicius
Дата народження: 7 червня 1935
Знак зодіаку: Близнята
Дата смерті: 4 січня 2011 (75 років)
Місце народження: Каунас, Литовська РСР, СРСР [тепер Литва]
Всього фільмів (на сайті): 4
Ролі: режисер (4), сценарист (1)
Знайдено 4 результати
6.5 Сюжет (англ.)
Petras Minkus, a gifted but unsuccessful sculptor, is struggling to make ends meet by casual employment. Together with his childhood friend Povilas Baibokas he travels to the country, not ...
Saduto Tuto (1974)
Saduto Tuto
Читати опис (англ.)
Petras Minkus, a gifted but unsuccessful sculptor, is struggling to make ends meet by casual employment. Together with his childhood friend Povilas Baibokas he travels to the country, not ...
Сюжет (англ.)
Caesar, a former Nazi concentration camp prisoner, sifts through his traumatic experiences against the background of the new modern buildings of Vilnius, and become even stronger when he learns of the death of a friend and fellow ...
Ave, vita! (1969)
Ave, vita!
Читати опис (англ.)
Caesar, a former Nazi concentration camp prisoner, sifts through his traumatic experiences against the background of the new modern buildings of Vilnius, and become even stronger when he learns of the death of a friend and fellow ...
Сюжет
Фільм розповідає про овдовілого молодого рибалку Каспараса, який з дітьми тікає від війни до брата, котрий одружений на його колишній коханій, Агнії.
Сюжет (англ.)
The main hero of this film is the city of Vilnius. Vilnius is also a metaphor for the historicity of Lithuania. However, this film is unique not only for its cinematographic historical reflections on the statehood of Lithuania; it also reveals the history of cinema, encompassing both Soviet montage techniques and the first traces of cinéma-vérité in Lithuanian cinema.
Time Walks Through the City (1966)
Time Walks Through the City
Читати опис (англ.)
The main hero of this film is the city of Vilnius. Vilnius is also a metaphor for the historicity of Lithuania. However, this film is unique not only for its cinematographic historical reflections on the statehood of Lithuania; it also reveals the history of cinema, encompassing both Soviet montage techniques and the first traces of cinéma-vérité in Lithuanian cinema.Увійдіть, будь ласка, щоб коментувати
Фільтр