Мартін Арнольд

Martin Arnold

Місце народження: Відень, Австрія

Всього фільмів (на сайті): 3

Ролі: режисер (3), продюсер (3), сценарист (1)

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Фільмографія

Знайдено 3 результати

Alone. Life Wastes Andy Hardy (1998) режисер, сценарист, продюсер 0.0

6.6

Сюжет (англ.)

Mickey Rooney and Judy Garland are cloned in an experimental backyard musical. The starting point is a number of scenes from the days when both the adolescents romped through the family series and Busby Berkeley musicals. These are put in a new order and before our eyes run forwards and backwards in a gentle adagio. Andy Hardy, the all-American sunny boy of the 1930s and 1940s, returns as an Oedipally destroyed teen clone to be released from his suffering by Betsy's singing and kisses.

Alone. Life Wastes Andy Hardy (1998)

Alone. Life Wastes Andy Hardy

режисер, сценарист, продюсер

1 жовтня 1998 (Світ)

короткий, драма, мюзикл

Австрія 15 хв

Мартін Арнольд

Читати опис (англ.)

КіноБаза: 0.0 (0) IMDb: 6.6 (540)

Моя оцінка:

/10

Passage à l'acte (1993) режисер, продюсер 0.0

7.1

Сюжет (англ.)

Four people at the breakfast table, an American family, locked in the beat of the editing table. The short, pulsating sequence at the family table shows, in its original state, a classic, deceptive harmony. Arnold deconstructs this scenario of normality by destroying its original continuity. It catches on the tinny sounds and bizarre body movements of the subjects, which, in reaction, become snagged on the continuity. The message that lies deep under the surface of the family idyll, suppressed or lost, is exposed--that message is war.

Трейлер

Passage à l'acte (1993)

Passage à l'acte

режисер, продюсер

1 січня 1993 (Світ)

короткий

Австрія 12 хв

Мартін Арнольд

Читати опис (англ.)

КіноБаза: 0.0 (0) IMDb: 7.1 (366)

Моя оцінка:

/10

Pièce touchée (1989) режисер, продюсер 0.0

7.3

Сюжет (англ.)

Arnold's original material is a piece of found-footage from the 50s. 18 seconds long and very typical for the period. A quiet take: a living room, a woman in an arm-chair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a disturbing pan, his wife follows him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exiting tango of movements. But piÃ¨ce touchÃ©e is more than just a matter of forms. The reflections, distortions and delays it displays challenge Hollywood's stable system of space and time.