Ingo Kratisch
Дата народження: 13 травня 1945 (81 рік)
Знак зодіаку: Телець
Місце народження: Nejdek, Czech Republic
Всього фільмів (на сайті): 11
Ролі: кінематографіст
Знайдено 11 результат
Сюжет (англ.)
In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many ...In Comparison (2009)
In Comparison
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In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many ...Сюжет (англ.)
In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of "War at a Distance", which continues the deconstruction of claims to visual objectivity Harun Farocki developed in his earlier work. With the help of archival and original material, Farocki sets out in effect to define the relationship between military strategy and industrial production and sheds light on how the technology of war finds applications in everyday life.War at a Distance (2003)
War at a Distance
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In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of "War at a Distance", which continues the deconstruction of claims to visual objectivity Harun Farocki developed in his earlier work. With the help of archival and original material, Farocki sets out in effect to define the relationship between military strategy and industrial production and sheds light on how the technology of war finds applications in everyday life.Сюжет (англ.)
Historically, the cinema close-up was initially employed to convey emotions through facial expressions. But soon filmmakers also began focusing their attention on hands. Using film extracts, Farocki explores this visual language, its symbolism, Freudian slips, automatisms and its music. Often, hands betray an emotion which the face tries to dissimulate. They can also function as a conduit (exchanging money) or witness to a form of competence (work).The Expression of Hands (1997)
The Expression of Hands
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Historically, the cinema close-up was initially employed to convey emotions through facial expressions. But soon filmmakers also began focusing their attention on hands. Using film extracts, Farocki explores this visual language, its symbolism, Freudian slips, automatisms and its music. Often, hands betray an emotion which the face tries to dissimulate. They can also function as a conduit (exchanging money) or witness to a form of competence (work).Сюжет (англ.)
According to Harun Farocki, today's photographers working in advertising are, in a way, continuing the tradition of 17th century Flemish painters in that they depict objects from everyday life - the "still life". The filmmaker illustrates this intriguing hypothesis with three documentary sequences which show the photographers at work creating a contemporary "still life": a cheese-board, beer glasses and an expensive watch.Still Life (1997)
Still Life
12+Читати опис (англ.)
According to Harun Farocki, today's photographers working in advertising are, in a way, continuing the tradition of 17th century Flemish painters in that they depict objects from everyday life - the "still life". The filmmaker illustrates this intriguing hypothesis with three documentary sequences which show the photographers at work creating a contemporary "still life": a cheese-board, beer glasses and an expensive watch.Сюжет (англ.)
Documentary examines the 'blind spot' of the evaluators of aerial footage of the IG Farben industrial plant taken by the Americans in 1944.Images of the World and the Inscription of War (1989)
Images of the World and the Inscription of War
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Documentary examines the 'blind spot' of the evaluators of aerial footage of the IG Farben industrial plant taken by the Americans in 1944.Сюжет (англ.)
An oddity: a mock-documentary, satirizing West German life, from the perspective of a leftwing East German filmmaker.How to Live in the German Federal Republic (1990)
How to Live in the German Federal Republic
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An oddity: a mock-documentary, satirizing West German life, from the perspective of a leftwing East German filmmaker.Image und Umsatz oder: Wie kann man einen Schuh darstellen? (1989)
Image und Umsatz oder: Wie kann man einen Schuh darstellen?
Сюжет (англ.)
A montage of images and topics, documentary style, connected more by theme than subject matter. Such topics include weaving machines and motors and their development through history. Theme ...As You See (1986)
As You See
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A montage of images and topics, documentary style, connected more by theme than subject matter. Such topics include weaving machines and motors and their development through history. Theme ...Before Your Eyes - Vietnam (1981)
Before Your Eyes - Vietnam
Between Two Wars (1978)
Between Two Wars
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