Georges Séguy
Дата народження: 16 березня 1927
Знак зодіаку: Риби
Дата смерті: 13 липня 2016 (89 років)
Місце народження: Тулуза, Верхня Гаронна, Франція
Всього фільмів (на сайті): 4
Ролі: актор (3), продюсер (1)
Знайдено 4 результати
0.0 Сюжет (англ.)
Since its opening in 1882, the Paris Bourse du Travail (Labor Exchange) has remained a nerve center of the labor movement. Once a hotbed of revolutionary syndicalism, and now a meeting place for the main labor federations, history...
Écoutez La Bourse Du Travail De Paris (1982)
Écoutez La Bourse Du Travail De Paris
Читати опис (англ.)
Since its opening in 1882, the Paris Bourse du Travail (Labor Exchange) has remained a nerve center of the labor movement. Once a hotbed of revolutionary syndicalism, and now a meeting place for the main labor federations, history...
Сюжет (англ.)
Guy Debord's landmark cinematic analysis of consumer society is based on his influential sociological book "La société du spectacle" (1967). Debord was a leading member of the avant-garde art movement 'Situationist International'. This cinematic essay uses their method of 'détournement' to decontextualize and rearrange preexisting audiovisual materials and texts to critizise them and create new meaning. The result is a subversive collage of ideological (moving) images from socialist and capitalist societies that are presented here as artefacts of a global media 'spectacle': Social relations between people are mediated by artificial images and false representations that transform humans into mere passive consumers and 'spectators' of their alienated existence. Guy Debord's motivation was to create a radical social critique and a disruptive, anti-illusionist cinema as an antidote and revolutionary tool against the dominant cultural and sociopolitical forces of his time.
The Society of the Spectacle (1974)
The Society of the Spectacle
Читати опис (англ.)
Guy Debord's landmark cinematic analysis of consumer society is based on his influential sociological book "La société du spectacle" (1967). Debord was a leading member of the avant-garde art movement 'Situationist International'. This cinematic essay uses their method of 'détournement' to decontextualize and rearrange preexisting audiovisual materials and texts to critizise them and create new meaning. The result is a subversive collage of ideological (moving) images from socialist and capitalist societies that are presented here as artefacts of a global media 'spectacle': Social relations between people are mediated by artificial images and false representations that transform humans into mere passive consumers and 'spectators' of their alienated existence. Guy Debord's motivation was to create a radical social critique and a disruptive, anti-illusionist cinema as an antidote and revolutionary tool against the dominant cultural and sociopolitical forces of his time.
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