Фільмографія
Знайдено 3 результати
Strane Straniere (2016)
продюсер
4.6
Сюжет (англ.)
Five women arrive in Italy from different countries in search of love, work, freedom.Strane Straniere (2016)
Strane Straniere
продюсер продюсер
Сюжет (англ.)
Five women arrive in Italy from different countries in search of love, work, freedom.
Ears (2016)
продюсер
6.9
Сюжет (англ.)
A man wakes up one morning with an annoying ringing sound in his ears. A note on the fridge says: 'your friend Luigi has died. P.S. I took the car'. The problem is that he does not even remember who this guy Luigi is. This is just the beginning of a tragicomic day during which he will be plunged into the folly of the world. One of those days that change your life forever.Ears (2016)
Ears
12+
продюсер продюсер
Сюжет (англ.)
A man wakes up one morning with an annoying ringing sound in his ears. A note on the fridge says: 'your friend Luigi has died. P.S. I took the car'. The problem is that he does not even remember who this guy Luigi is. This is just the beginning of a tragicomic day during which he will be plunged into the folly of the world. One of those days that change your life forever.
Pasolini (2014)
продюсер
5.9
Сюжет (англ.)
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli (Riccardo Scamarcio), and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.Pasolini (2014)
Pasolini
18+
продюсер продюсер
Сюжет (англ.)
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli (Riccardo Scamarcio), and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.Коментарі:
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