Адольфо Арриета
Adolfo Arrieta
Дата народження: 28 серпня 1942 (83 роки)
Знак зодіаку: Діва
Місце народження: Мадрид, Іспанія
Всього фільмів (на сайті): 16
Ролі: режисер (9), сценарист (9), актор (8), продюсер (5), кінематографіст (3)
Знайдено 16 результатів
5.9
Сюжет (англ.)
In the Kingdom of Letonia, Prince Egon has only one thing in mind: finding Sleeping Beauty and breaking her spell. But his father, the King, does not agree.Sleeping Beauty (2017)
Sleeping Beauty
Сюжет (англ.)
In the Kingdom of Letonia, Prince Egon has only one thing in mind: finding Sleeping Beauty and breaking her spell. But his father, the King, does not agree. 7.3
Сюжет (англ.)
Exploring the life and work of Jean-Claude Biette, French film critic and director.Biette (2011)
Biette
Сюжет (англ.)
Exploring the life and work of Jean-Claude Biette, French film critic and director. 6.8
Сюжет (англ.)
Antonio Gasset hosts this show in which recently released movies and DVDs are thoughtfully discussed in a documentary-like way.Días de cine (1991—)
Días de cine
Сюжет (англ.)
Antonio Gasset hosts this show in which recently released movies and DVDs are thoughtfully discussed in a documentary-like way. 6.5
Сюжет (англ.)
An adaptation of the play by Jean Cocteau, "The Knights of the Round Table," in which Adolpho Arrietta plays the role of Merlin.Merlín (1991)
Merlín
Сюжет (англ.)
An adaptation of the play by Jean Cocteau, "The Knights of the Round Table," in which Adolpho Arrietta plays the role of Merlin. 6.2
Сюжет (англ.)
13 stories of atypical love in the city, each directed by a Spanish film-maker.Delirios de amor (1989)
Delirios de amor
Сюжет (англ.)
13 stories of atypical love in the city, each directed by a Spanish film-maker. 8.2
Сюжет (англ.)
"Cinema of Our Time" is a documentary series about contemporary filmmakers from around the world, created by Janine Bazin and André S. Labarthe, as a follow-up to the acclaimed initial series "Filmmakers of Our Time" (1964-1972).Cinéma, de notre temps (1989—)
Cinéma, de notre temps
Сюжет (англ.)
"Cinema of Our Time" is a documentary series about contemporary filmmakers from around the world, created by Janine Bazin and André S. Labarthe, as a follow-up to the acclaimed initial series "Filmmakers of Our Time" (1964-1972). 5.7
Сюжет (англ.)
In the Monkey Island, populated by men and frog women, spies covet sacred frogs.Frogs (1983)
Frogs
Сюжет (англ.)
In the Monkey Island, populated by men and frog women, spies covet sacred frogs. 6.3
Сюжет (англ.)
A party is organized for Pedro, but he never seems to arrive. In between guests talk about Tam Tam and the end of the world. A very 'Buñuel-ish' underground film.Tam Tam (1976)
Tam Tam
Сюжет (англ.)
A party is organized for Pedro, but he never seems to arrive. In between guests talk about Tam Tam and the end of the world. A very 'Buñuel-ish' underground film.The Adventures of Sylvia Couski (1975)
The Adventures of Sylvia Couski
Le château de Pointilly (1972)
Le château de Pointilly
6.9
Сюжет (англ.)
Eustache’s grandmother Odette Robert was a key figure in his life, serving as a substitute mother during much of his childhood (My Little Loves was dedicated to her). In 1971, he recorded an interview with her that went largely unseen until 2003—Eustache never screened the complete film publicly, although a radically truncated version was presented on television. In a string of long, stationary takes, the camera watches over Eustache’s shoulder while he pours countless glasses of whiskey and Odette tells the stories of her life. A number of her themes resonate with those of Eustache’s films: cruelty, male philandering, the Rosière festival of Pessac. Number Zero is a return to origins—of cinema and of the self—and an experiment in narration, both restrained and deeply personal.Numéro zéro (1971)
Numéro zéro
Сюжет (англ.)
Eustache’s grandmother Odette Robert was a key figure in his life, serving as a substitute mother during much of his childhood (My Little Loves was dedicated to her). In 1971, he recorded an interview with her that went largely unseen until 2003—Eustache never screened the complete film publicly, although a radically truncated version was presented on television. In a string of long, stationary takes, the camera watches over Eustache’s shoulder while he pours countless glasses of whiskey and Odette tells the stories of her life. A number of her themes resonate with those of Eustache’s films: cruelty, male philandering, the Rosière festival of Pessac. Number Zero is a return to origins—of cinema and of the self—and an experiment in narration, both restrained and deeply personal.Le jouet criminel (1969)
Le jouet criminel
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