Jean-Claude Rousseau
Дата народження: 1 січня 1946 (80 років)
Знак зодіаку: Козоріг
Місце народження: Париж
Всього фільмів (на сайті): 9
Ролі: режисер (7), актор (3), кінематографіст (3), продюсер (3), сценарист (2)
Знайдено 3 результати
6.6 Сюжет (англ.)
Between rain and clearer spells, in the footsteps of Ozu in today's Japan, people met, wordless encounters - Also some seismic events, a trembling of the ground which does not interrupt the...
A Floating World (2020)
A Floating World
Читати опис (англ.)
Between rain and clearer spells, in the footsteps of Ozu in today's Japan, people met, wordless encounters - Also some seismic events, a trembling of the ground which does not interrupt the...
Сюжет (англ.)
Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»
Girl Reading a Letter by an Open Window (1983)
Girl Reading a Letter by an Open Window
Читати опис (англ.)
Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»Увійдіть, будь ласка, щоб коментувати
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