Jean-Claude Rousseau
Дата народження: 1 січня 1946 (80 років)
Знак зодіаку: Козоріг
Місце народження: Париж
Всього фільмів (на сайті): 9
Ролі: режисер (7), актор (3), кінематографіст (3), продюсер (3), сценарист (2)
Знайдено 9 результатів
6.6 Сюжет (англ.)
Between rain and clearer spells, in the footsteps of Ozu in today's Japan, people met, wordless encounters - Also some seismic events, a trembling of the ground which does not interrupt the...
A Floating World (2020)
A Floating World
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Between rain and clearer spells, in the footsteps of Ozu in today's Japan, people met, wordless encounters - Also some seismic events, a trembling of the ground which does not interrupt the...
Сюжет (англ.)
An officer of the court meets his father's idol, a singer that stopped performing years ago, while seizing his assets and takes it upon himself to help him with his creditors.
L'air de rien (2012)
L'air de rien
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An officer of the court meets his father's idol, a singer that stopped performing years ago, while seizing his assets and takes it upon himself to help him with his creditors.
Сюжет (англ.)
My films are like that: in a room, but looking out onto an open sky. [...] I can’t really say it except to repeat that Bresson note, ‘that without a thing changing, everything is different.’ The film exists. The fiction is set up, and we believe in it. The justness of the agreement leads us to believe it, because everything plays equally at being a sign. That’s the arrangement of the elements. It’s an act of faith. La vallée close is just this: elements treated above all as if in a documentary that, without being changed, portray the story and reveal between them the elements of fiction. But above all seen as they are, insignificant. And then in the relations they set up, they can satisfy our desire for a story. -- Rousseau
The Enclosed Valley (1995)
The Enclosed Valley
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My films are like that: in a room, but looking out onto an open sky. [...] I can’t really say it except to repeat that Bresson note, ‘that without a thing changing, everything is different.’ The film exists. The fiction is set up, and we believe in it. The justness of the agreement leads us to believe it, because everything plays equally at being a sign. That’s the arrangement of the elements. It’s an act of faith. La vallée close is just this: elements treated above all as if in a documentary that, without being changed, portray the story and reveal between them the elements of fiction. But above all seen as they are, insignificant. And then in the relations they set up, they can satisfy our desire for a story. -- Rousseau
Сюжет (англ.)
Rousseau's first full-length feature, and one of the best documentaries/experimental films of the past few decades, sprung equally from Robert Bresson, Michael Snow, and Jean-Marie Straub (who has called Rousseau one of the three bes
The Antiquities of Rome (1991)
The Antiquities of Rome
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Rousseau's first full-length feature, and one of the best documentaries/experimental films of the past few decades, sprung equally from Robert Bresson, Michael Snow, and Jean-Marie Straub (who has called Rousseau one of the three bes
Сюжет (англ.)
Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»
Girl Reading a Letter by an Open Window (1983)
Girl Reading a Letter by an Open Window
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Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»Сюжет (англ.)
Die Drehscheibe is a tabloid and country magazine on the television channel ZDF.
Die Drehscheibe (1964—1982)
Die Drehscheibe
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Die Drehscheibe is a tabloid and country magazine on the television channel ZDF.Увійдіть, будь ласка, щоб коментувати
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