Фільмографія
3.9 Сюжет (англ.)
Didi works as a butler at Pedro's father's house. While browsing an old photograph album, he and 10-year-old Pedro find an ancient map with the route to a treasure. They decide to search for it. But the treasure carries a curse cast by the three thieves who had stolen it first, during WW2.
Didi, the Treasure Raider (2006)
Didi, the Treasure Raider
композитор
6 січня 2006 (Світ)
Бразилія
1 год 26 хв
Читати опис (англ.)
Didi works as a butler at Pedro's father's house. While browsing an old photograph album, he and 10-year-old Pedro find an ancient map with the route to a treasure. They decide to search for it. But the treasure carries a curse cast by the three thieves who had stolen it first, during WW2.
Сюжет (англ.)
N/A
Os Trapalhões no Reino da Fantasia (1985)
Os Trapalhões no Reino da Fantasia
композитор
3 жовтня 1985 (Світ)
Бразилія
1 год 20 хв
Читати опис (англ.)
N/A
Сюжет (англ.)
Failing to obtain any vultures to eat, being the only potential food in the severe drought of Northeastern Brazil, Didi and his friends, Soró and Tatu, put their hut on a wagon pulled by their burro, Salvation, and head for the town of Oróz, believing they can find water there. On the way, they find a Scarecrow, whom Didi calls Clowbrush (clown+brush), besieged by vultures reminiscent of the crows in _Wiz, The (1978/I)_. They kill and eat the vultures and take the brainless Scarecrow with them, hoping a doctor at Oróz will put them in. They next stumble upon a warehouse, finding a man in a metal vat of rum, which is his blood, yet he desires a heart. In the town of Oróz, Sheriff Lion works for Colonel Ferreira, who owns a pond using gigantic frogs to keep people from obtaining water without paying. Lion's girlfriend, Aninha the schoolmaster, thinks he is a coward for not standing up to the Colonel. The Tramps, with Vat and Clowbrush, arrive and promptly rob a bakery. Sheriff Lion puts Soró and Tatu in jail, while to redeem himself, he is ordered to supervise Didi, Vat, and Clowbrush in a search for water, which is their punishment. After disguising themselves as Ferreira's guards, they are nonetheless discovered, so they flee to a desert, where a saint points them to the Wizard of Oróz, who fiendishly supports their mission... The film, while a spoof of a famous story, was also intended to make people aware of the conditions in the Northeast, which Aragão said he could not show in any greater detail, lest the film be terrified by the reality of the plight in that area.
Os Trapalhões e o Mágico de Oróz (1984)
Os Trapalhões e o Mágico de Oróz
композитор
5 грудня 1984 (Світ)
Бразилія
1 год 33 хв
Читати опис (англ.)
Failing to obtain any vultures to eat, being the only potential food in the severe drought of Northeastern Brazil, Didi and his friends, Soró and Tatu, put their hut on a wagon pulled by their burro, Salvation, and head for the town of Oróz, believing they can find water there. On the way, they find a Scarecrow, whom Didi calls Clowbrush (clown+brush), besieged by vultures reminiscent of the crows in _Wiz, The (1978/I)_. They kill and eat the vultures and take the brainless Scarecrow with them, hoping a doctor at Oróz will put them in. They next stumble upon a warehouse, finding a man in a metal vat of rum, which is his blood, yet he desires a heart. In the town of Oróz, Sheriff Lion works for Colonel Ferreira, who owns a pond using gigantic frogs to keep people from obtaining water without paying. Lion's girlfriend, Aninha the schoolmaster, thinks he is a coward for not standing up to the Colonel. The Tramps, with Vat and Clowbrush, arrive and promptly rob a bakery. Sheriff Lion puts Soró and Tatu in jail, while to redeem himself, he is ordered to supervise Didi, Vat, and Clowbrush in a search for water, which is their punishment. After disguising themselves as Ferreira's guards, they are nonetheless discovered, so they flee to a desert, where a saint points them to the Wizard of Oróz, who fiendishly supports their mission... The film, while a spoof of a famous story, was also intended to make people aware of the conditions in the Northeast, which Aragão said he could not show in any greater detail, lest the film be terrified by the reality of the plight in that area.
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