Jérôme de Missolz
Дата народження: 8 жовтня 1954
Знак зодіаку: Терези
Дата смерті: 13 березня 2016 (61 рік)
Місце народження: Ліон, Рона, Рона-Альпи, Франція
Всього фільмів (на сайті): 5
Ролі: режисер ★ 5 (3), кінематографіст (2), сценарист ★ 5 (1)
Знайдено 3 результати
6.5 Сюжет (англ.)
An examination of Charles Chaplin's final starring film.
Чаплін сьогодні: «Король у Нью-Йорку» (2003)
Chaplin Today: A King in New York
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An examination of Charles Chaplin's final starring film.
Сюжет (англ.)
A man stands before the insatiable desire of women, their sensual instincts and carnivores, their hilarious seduction games, their grace, their rudeness, their needs; love them.
The Mechanics of Women (2000)
The Mechanics of Women
16+Читати опис (англ.)
A man stands before the insatiable desire of women, their sensual instincts and carnivores, their hilarious seduction games, their grace, their rudeness, their needs; love them.
Сюжет (англ.)
Nusrat Fateh Ali Khan is the last in the line of a family of Pakistani musicians who have dominated qawwali (Sufi song) for 600 years. The Sufis translate their belief in Islam through poetry, music and song, elevating their souls in public and going into a trance like state. I discovered the Music Room, a theatrical, mystical space, a tomb cut off from reality. It was here I decided that I would approach the intimate, spritual reality of the musician. I wanted to deal with the artist's "world" dimension, remixed house-and-funky style in England. In this way I could treat the question of art caught in a tug-of-war between proselytism and commerce
The Last Prophet (1996)
The Last Prophet
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Nusrat Fateh Ali Khan is the last in the line of a family of Pakistani musicians who have dominated qawwali (Sufi song) for 600 years. The Sufis translate their belief in Islam through poetry, music and song, elevating their souls in public and going into a trance like state. I discovered the Music Room, a theatrical, mystical space, a tomb cut off from reality. It was here I decided that I would approach the intimate, spritual reality of the musician. I wanted to deal with the artist's "world" dimension, remixed house-and-funky style in England. In this way I could treat the question of art caught in a tug-of-war between proselytism and commerceУвійдіть, будь ласка, щоб коментувати
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