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The Last One and then We Go (2015)
актор у ролі Cantante
6.4
6.4
Сюжет (англ.)
A Marichi group will leave their hometown for the first time to perform at a national competition in Mexico City. After being selected, this band of seven set out to find an eighth member to be able to compete. They decide to recruit Martin, the son of one of the members who happens to be in a rock band. The eight men have to endure many challenges in which their brotherhood is put to the test. What seems to be the opportunity of a lifetime, might soon become the beginning of the end for the band.The Last One and then We Go (2015)
The Last One and then We Go
актор у ролі Cantante актор у ролі Cantante
Сюжет (англ.)
A Marichi group will leave their hometown for the first time to perform at a national competition in Mexico City. After being selected, this band of seven set out to find an eighth member to be able to compete. They decide to recruit Martin, the son of one of the members who happens to be in a rock band. The eight men have to endure many challenges in which their brotherhood is put to the test. What seems to be the opportunity of a lifetime, might soon become the beginning of the end for the band.
Shadows of the Past (2014—2015)
актор у ролі Jacinto
7.7
Severiano Mendoza and Candela Santana are a rich and powerful marriage who live at the ranch, "Las Ánimas", along with their young son, Cristóbal. Roberta and Raymundo Alcocer also have a daughter named Alonza; however, they do not live with the same luxuries as the Mendoza family, which causes frustration and resentment in Roberta as nothing is enough to fill the inferiority complex that follows her like a shadow.
7.7
Сюжет (англ.)
Two very different families live in the village of Santa Lucía who are involved in a whirlwind of passion, pain, and revenge. The rivaling families are the Mendozas and the Alcocers.Severiano Mendoza and Candela Santana are a rich and powerful marriage who live at the ranch, "Las Ánimas", along with their young son, Cristóbal. Roberta and Raymundo Alcocer also have a daughter named Alonza; however, they do not live with the same luxuries as the Mendoza family, which causes frustration and resentment in Roberta as nothing is enough to fill the inferiority complex that follows her like a shadow.
Shadows of the Past (2014—2015)
Shadows of the Past
12+
актор у ролі Jacinto актор у ролі Jacinto
Сюжет (англ.)
Two very different families live in the village of Santa Lucía who are involved in a whirlwind of passion, pain, and revenge. The rivaling families are the Mendozas and the Alcocers.Severiano Mendoza and Candela Santana are a rich and powerful marriage who live at the ranch, "Las Ánimas", along with their young son, Cristóbal. Roberta and Raymundo Alcocer also have a daughter named Alonza; however, they do not live with the same luxuries as the Mendoza family, which causes frustration and resentment in Roberta as nothing is enough to fill the inferiority complex that follows her like a shadow.
Qué bonito amor (2012—2013)
актор
6.3
Jorge Salinas and Danna García star as the protagonists, while Malillany Marin, Roberto Palazuelos, Marcelo Buquet, Salvador Pineda and Pablo Montero star as the antagonists.
6.3
Сюжет (англ.)
Qué bonito amor is a 2012 Mexican telenovela produced by Salvador Mejía Alexandre for Televisa. It is based on La Hija del Mariachi, produced by Colombian's RCN Television and written by Mónica Agudelo in 2006-2007.Jorge Salinas and Danna García star as the protagonists, while Malillany Marin, Roberto Palazuelos, Marcelo Buquet, Salvador Pineda and Pablo Montero star as the antagonists.
Qué bonito amor (2012—2013)
Qué bonito amor
12+
актор актор
Сюжет (англ.)
Qué bonito amor is a 2012 Mexican telenovela produced by Salvador Mejía Alexandre for Televisa. It is based on La Hija del Mariachi, produced by Colombian's RCN Television and written by Mónica Agudelo in 2006-2007.Jorge Salinas and Danna García star as the protagonists, while Malillany Marin, Roberto Palazuelos, Marcelo Buquet, Salvador Pineda and Pablo Montero star as the antagonists.
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