Carl Hillebrandt
Дата народження: 6 грудня 1883
Знак зодіаку: Стрілець
Дата смерті: 13 липня 1937 (53 роки)
Всього фільмів (на сайті): 2
Ролі: актор
Знайдено 2 результати
7.5 Сюжет (англ.)
A self-proclaimed "knight" and his hapless squire travel the Spanish countryside, attacking "giants" that are really windmills in his attempt to win the love of the fair Dulcinea.
Don Quixote (1926)
Don Quixote
Читати опис (англ.)
A self-proclaimed "knight" and his hapless squire travel the Spanish countryside, attacking "giants" that are really windmills in his attempt to win the love of the fair Dulcinea.
Сюжет (англ.)
After seeing D. W. Griffith's epic Intolerance, Denmark's greatest director, Carl Theodor Dreyer (The Passion of Joan of Arc, Vampyr), was inspired to make his own four-episode historical epic with each story told end to end, anthology-style, linked by theme to the others. The unifying character, Satan, attempts to win God's favor but is doomed to cheerless participation in dark episodes of human history: the temptation of Jesus, the Spanish Inquisition, the French Revolution and the Russo-Finnish war of 1918. Few directors resisted compromise and convention the way Dreyer did; fortunately, the Nordisk Film Company was artistically progressive by Hollywood standards and agreed that this should be a prestige film made to the highest standards. More than two years in production, Dreyer not only directed but also controlled every facet of this ambitious production.
Leaves from Satan's Book (1920)
Leaves from Satan's Book
Читати опис (англ.)
After seeing D. W. Griffith's epic Intolerance, Denmark's greatest director, Carl Theodor Dreyer (The Passion of Joan of Arc, Vampyr), was inspired to make his own four-episode historical epic with each story told end to end, anthology-style, linked by theme to the others. The unifying character, Satan, attempts to win God's favor but is doomed to cheerless participation in dark episodes of human history: the temptation of Jesus, the Spanish Inquisition, the French Revolution and the Russo-Finnish war of 1918. Few directors resisted compromise and convention the way Dreyer did; fortunately, the Nordisk Film Company was artistically progressive by Hollywood standards and agreed that this should be a prestige film made to the highest standards. More than two years in production, Dreyer not only directed but also controlled every facet of this ambitious production.
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