Фільмографія
5.8 Сюжет (англ.)
'Every age thinks it's the modern age...' - but this one, a time of always-on connectivity, ubiquitous computing, and the acceleration of everything, really is new. No longer even modern, we are allegedly postmodern, post-industrial, and hurtling towards the post-human. With its profusion of desire and superabundance of information, our age couldn't be more different... DREAMS REWIRED offers another perspective. A montage of films from the 1880s to the 1930s, many rare and previously unscreened, it traces contemporary appetites and anxieties back to the birth of the telephone, television and cinema. Its claim: that the social convulsions of today's hyper-mediated world were already prefigured over 100 years ago, during the electric media boom of the late 19th century. Early electric media were as revolutionary as social media are now. They sparked a fervent utopianism in the public imagination; promising total communication, the annihilation of distance, an end to war. The technologies were to serve everyone, not just the elites. Through strengthening human relationships, increasing efficiency, and predicting the future, it would become possible to build a new world for all to share. But what these media initially promised, and what they eventually delivered was very different. The early radical openness was disciplined and regulated, and two-way, peer-to-peer communication gave way to hierarchical broadcasting. And the fears that had accompanied the hopes - fears of the erosion of privacy, of ubiquitous surveillance, of financial exposure and moral hazard - began to appear well-founded. DREAMS REWIRED is an assemblage of clips from nearly 200 films, ranging from the earliest dramatic works to music hall slapstick, newsreels, marketing materials, recordings of scientific experiments, and artistic adventures with film as medium. Through years of research in archives around the world, the directors have unearthed material that is by turns hilarious, revelatory, aesthetically striking, and astonishingly prescient. This footage is spliced together with a commentary on our contemporary predicament (voiced by Tilda Swinton) that, rather than plunging the audience into the past, pulls the historical material into the present. By forging an identification between contemporary viewers and their idealistic peers from 100 years ago, DREAMS REWIRED suggests a path of positive action towards a 21st century conception of openness.
Dreams Rewired (2015)
Dreams Rewired
продюсер
1 лютого 2015 (Світ)
Австрія, Німеччина, Велика Британія
1 год 28 хв
Читати опис (англ.)
'Every age thinks it's the modern age...' - but this one, a time of always-on connectivity, ubiquitous computing, and the acceleration of everything, really is new. No longer even modern, we are allegedly postmodern, post-industrial, and hurtling towards the post-human. With its profusion of desire and superabundance of information, our age couldn't be more different... DREAMS REWIRED offers another perspective. A montage of films from the 1880s to the 1930s, many rare and previously unscreened, it traces contemporary appetites and anxieties back to the birth of the telephone, television and cinema. Its claim: that the social convulsions of today's hyper-mediated world were already prefigured over 100 years ago, during the electric media boom of the late 19th century. Early electric media were as revolutionary as social media are now. They sparked a fervent utopianism in the public imagination; promising total communication, the annihilation of distance, an end to war. The technologies were to serve everyone, not just the elites. Through strengthening human relationships, increasing efficiency, and predicting the future, it would become possible to build a new world for all to share. But what these media initially promised, and what they eventually delivered was very different. The early radical openness was disciplined and regulated, and two-way, peer-to-peer communication gave way to hierarchical broadcasting. And the fears that had accompanied the hopes - fears of the erosion of privacy, of ubiquitous surveillance, of financial exposure and moral hazard - began to appear well-founded. DREAMS REWIRED is an assemblage of clips from nearly 200 films, ranging from the earliest dramatic works to music hall slapstick, newsreels, marketing materials, recordings of scientific experiments, and artistic adventures with film as medium. Through years of research in archives around the world, the directors have unearthed material that is by turns hilarious, revelatory, aesthetically striking, and astonishingly prescient. This footage is spliced together with a commentary on our contemporary predicament (voiced by Tilda Swinton) that, rather than plunging the audience into the past, pulls the historical material into the present. By forging an identification between contemporary viewers and their idealistic peers from 100 years ago, DREAMS REWIRED suggests a path of positive action towards a 21st century conception of openness.
Сюжет (англ.)
In an eerily familiar city, a calendar reform has dispensed with the past and the future, leaving citizens faceless, without memory or anticipation. Unimaginable happiness abounds - until a woman recovers her face...
Faceless (2007)
Faceless
продюсер
20 березня 2007 (Світ)
Велика Британія, Австрія
50 хв
Читати опис (англ.)
In an eerily familiar city, a calendar reform has dispensed with the past and the future, leaving citizens faceless, without memory or anticipation. Unimaginable happiness abounds - until a woman recovers her face...
Сюжет (англ.)
Just imagine waking up tomorrow with no memory of today or any other since the day of your birth. Imagine living without a history, without experience, no relationships, no past troubles. Imagine starting your life over again, making a new set of friends, finding new talents and falling in love for the first time. Imagine what it's like to see the world anew. On the 2nd July 2003 Doug Bruce left his apartment on the Lower East Side at about 8pm. No one knew where he was going. No one knew he'd gone. He turned up, 11 hours later, on the New York subway heading to Coney Island. He had no idea who he was. Unknown White Male is the startling story of a man who, for no apparent reason, lost 37 years of life history, who lost every memory of his friends, his family and every experience he had ever known. This true story follows Doug in the hours and months following his amnesia, as he tries to pierce his life back together and has to discover the world anew. The film dramatically reconstructs those first terrifying hours in Coney Island as Doug wandered around disoriented before asking the police for help and being sent to Coney Island Hospital Psychiatric ward where he was given an identity wrist tag reading 'Unknown White Male'. Doug had nothing to identify him and whilst he discovered after a few hours that he was able to sign his name, no one could read his signature and reveal his name. Unable to leave until someone could identify him, all attention turned to the single phone number in his possession. The woman on the other end, Eva, didn't recognize him. Finally Eva sent her daughter Nadine to investigate. Nadine recognized the man she had recently become friends with, Douglas Bruce, a good looking, English 37 year old wealthy ex-stockbroker and photography student. She took him home. The film recounts the next crazy few weeks as Doug tried to reconstruct some kind of life; re-learning the streets around his apartment, re-meeting his family, re-learning the history of the world and what it feels like to swim in the ocean. It's an overwhelming voyage of discovery as Doug discovers art, music, movies the taste of every kind of different food and much of it was filmed by Doug himself who started recording his re-entry into the world just one week after the amnesia. Doctors were unable to find any physical basis for the amnesia and over the following months we follow Doug as he returns to his photography school where his tutor believes his work has greatly improved. He falls in love with a girl he has just met and slowly re-meets old friends including director Rupert Murray who filmed their first meeting even though he has known Doug for over 15 years. Will they still like one another? Together they travel back to London for a reunion with Doug's oldest friends. One year after the amnesia and his friends in London offer him a toast to his first birthday. Everyone seems sure that Doug has changed since the amnesia. Many people prefer the new Doug, find him more sincere and reflective but others miss the old Doug's edge and cynicism. Yet for the first year and a half, Doug didn't want his memory or his old self back. He was happy with his new life, believed it was possible to live without a past and simply looked forward to his future. But in the last few months all this has begun to change as the full implications of his loss have begun to resonate in his life and Doug has started to question who he really is.
Unknown White Male (2005)
Unknown White Male
композитор
1 червня 2005 (Світ)
США, Велика Британія
1 год 28 хв
Читати опис (англ.)
Just imagine waking up tomorrow with no memory of today or any other since the day of your birth. Imagine living without a history, without experience, no relationships, no past troubles. Imagine starting your life over again, making a new set of friends, finding new talents and falling in love for the first time. Imagine what it's like to see the world anew. On the 2nd July 2003 Doug Bruce left his apartment on the Lower East Side at about 8pm. No one knew where he was going. No one knew he'd gone. He turned up, 11 hours later, on the New York subway heading to Coney Island. He had no idea who he was. Unknown White Male is the startling story of a man who, for no apparent reason, lost 37 years of life history, who lost every memory of his friends, his family and every experience he had ever known. This true story follows Doug in the hours and months following his amnesia, as he tries to pierce his life back together and has to discover the world anew. The film dramatically reconstructs those first terrifying hours in Coney Island as Doug wandered around disoriented before asking the police for help and being sent to Coney Island Hospital Psychiatric ward where he was given an identity wrist tag reading 'Unknown White Male'. Doug had nothing to identify him and whilst he discovered after a few hours that he was able to sign his name, no one could read his signature and reveal his name. Unable to leave until someone could identify him, all attention turned to the single phone number in his possession. The woman on the other end, Eva, didn't recognize him. Finally Eva sent her daughter Nadine to investigate. Nadine recognized the man she had recently become friends with, Douglas Bruce, a good looking, English 37 year old wealthy ex-stockbroker and photography student. She took him home. The film recounts the next crazy few weeks as Doug tried to reconstruct some kind of life; re-learning the streets around his apartment, re-meeting his family, re-learning the history of the world and what it feels like to swim in the ocean. It's an overwhelming voyage of discovery as Doug discovers art, music, movies the taste of every kind of different food and much of it was filmed by Doug himself who started recording his re-entry into the world just one week after the amnesia. Doctors were unable to find any physical basis for the amnesia and over the following months we follow Doug as he returns to his photography school where his tutor believes his work has greatly improved. He falls in love with a girl he has just met and slowly re-meets old friends including director Rupert Murray who filmed their first meeting even though he has known Doug for over 15 years. Will they still like one another? Together they travel back to London for a reunion with Doug's oldest friends. One year after the amnesia and his friends in London offer him a toast to his first birthday. Everyone seems sure that Doug has changed since the amnesia. Many people prefer the new Doug, find him more sincere and reflective but others miss the old Doug's edge and cynicism. Yet for the first year and a half, Doug didn't want his memory or his old self back. He was happy with his new life, believed it was possible to live without a past and simply looked forward to his future. But in the last few months all this has begun to change as the full implications of his loss have begun to resonate in his life and Doug has started to question who he really is.
Сайти
Фільтр
Форум
Чи буде офіційний дубляж від Amazon Prime для "Покоління V"?
6 травня 2024, 6:51
Сповіщення про Оновлення Функціоналу4 травня 2024, 10:51
Модери3 травня 2024, 16:42
Епізоди, сезони, specials30 квітня 2024, 9:55
Сервіси для перегляду фільмів26 квітня 2024, 22:41
Фільм про козаків24 квітня 2024, 18:41
Про звук23 квітня 2024, 2:16
Останні коментарі до фільмів
Перекладу перших двох сезонів немає? Знайшов тільк...
Віденська кров (2019)
Мені здається, чи автори створили фільм, натхненні...Атлас (2024)
На рейтинги корейських фільмів давно перестав звер...Королева сліз (2024)
Відверта халтура. Достатньо переглянути 10-15 хв. ...Звести рахунки. Таємниці Аврори Тігарде (2015)
Судячи з відгуків та оцінок багатьом цей серіал сп...Королева сліз (2024)
Серіал українською озвучує команда «Чорний верес»...Хороший день, щоб бути собакою (2023)
Серіал українською озвучила K’Di...Щастя (2021)
Нещодавно переглянуті: