Сюжет (англ.)
Guy Debord's landmark cinematic analysis of consumer society is based on his influential sociological book "La société du spectacle" (1967). Debord was a leading member of the avant-garde art movement 'Situationist International'. This cinematic essay uses their method of 'détournement' to decontextualize and rearrange preexisting audiovisual materials and texts to critizise them and create new meaning. The result is a subversive collage of ideological (moving) images from socialist and capitalist societies that are presented here as artefacts of a global media 'spectacle': Social relations between people are mediated by artificial images and false representations that transform humans into mere passive consumers and 'spectators' of their alienated existence. Guy Debord's motivation was to create a radical social critique and a disruptive, anti-illusionist cinema as an antidote and revolutionary tool against the dominant cultural and sociopolitical forces of his time.The Society of the Spectacle (1974)
The Society of the Spectacle
1 травня 1974 (Світ)
Франція
1 год 28 хв
Читати опис (англ.)
Guy Debord's landmark cinematic analysis of consumer society is based on his influential sociological book "La société du spectacle" (1967). Debord was a leading member of the avant-garde art movement 'Situationist International'. This cinematic essay uses their method of 'détournement' to decontextualize and rearrange preexisting audiovisual materials and texts to critizise them and create new meaning. The result is a subversive collage of ideological (moving) images from socialist and capitalist societies that are presented here as artefacts of a global media 'spectacle': Social relations between people are mediated by artificial images and false representations that transform humans into mere passive consumers and 'spectators' of their alienated existence. Guy Debord's motivation was to create a radical social critique and a disruptive, anti-illusionist cinema as an antidote and revolutionary tool against the dominant cultural and sociopolitical forces of his time.Сюжет (англ.)
A response to critics of Society of the Spectacle takes to task both these who praised it (for liking other things inconsistent with that praise) and those who attacked it (for having also liked many things that discredit their judgment)Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle" (1975)
Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"
1 січня 1975 (Світ)
Франція
22 хв
Читати опис (англ.)
A response to critics of Society of the Spectacle takes to task both these who praised it (for liking other things inconsistent with that praise) and those who attacked it (for having also liked many things that discredit their judgment)Фільтр
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