Олександр Ржешевський
Aleksandr Rzheshevsky
Дата народження: 12 вересня 1903
Знак зодіаку: Діва
Дата смерті: 19 січня 1967 (63 роки)
Місце народження: Санкт-Петербург, Росія
Всього фільмів (на сайті): 3
Ролі: сценарист ★ 5.5
Знайдено 3 результати
6.6 Сюжет (англ.)
A Soviet farmer's son, who is working at a Kolchos is killed by his father, who wants to burn the fields of the Kolchos to damage the Soviet Society.
Bezhin Meadow: Sequences from an Unfinished Film (1935)
Bezhin Meadow: Sequences from an Unfinished Film
Читати опис (англ.)
A Soviet farmer's son, who is working at a Kolchos is killed by his father, who wants to burn the fields of the Kolchos to damage the Soviet Society.
Сюжет (англ.)
Docu-drama about political and military conflict during the Russian Civil War in 1918, from an orthodox pro-Communist viewpoint.
26 Commissioners (1932)
26 Commissioners
Читати опис (англ.)
Docu-drama about political and military conflict during the Russian Civil War in 1918, from an orthodox pro-Communist viewpoint.
Сюжет (англ.)
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair for experimentation in what was supposed to be the director’s first sound feature. Everything went wrong: technical problems forced him to complete the film as a silent; viewers were baffled by the lack of a recognizable plot; then, the ideological climate of the Soviet Union changed. He was now being blamed for catering to bourgeois taste! Time has come to set the record straight. Here’s lyrical cinema at its best, deliberately operatic and yet intimate as it matches the characters’ inner life with the solemn rhythms of nature, and depicted through breathtaking black-and-white photography. A sensation at last year’s Pordenone fest, Pudovkin’s long-forgotten swan song to the art of montage is resurrected by Gabriel Thibaudeau’s emotionally charged live music performance. –PCU (USSR, 1930, 75m)
A Simple Case (1930)
A Simple Case
Читати опис (англ.)
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair for experimentation in what was supposed to be the director’s first sound feature. Everything went wrong: technical problems forced him to complete the film as a silent; viewers were baffled by the lack of a recognizable plot; then, the ideological climate of the Soviet Union changed. He was now being blamed for catering to bourgeois taste! Time has come to set the record straight. Here’s lyrical cinema at its best, deliberately operatic and yet intimate as it matches the characters’ inner life with the solemn rhythms of nature, and depicted through breathtaking black-and-white photography. A sensation at last year’s Pordenone fest, Pudovkin’s long-forgotten swan song to the art of montage is resurrected by Gabriel Thibaudeau’s emotionally charged live music performance. –PCU (USSR, 1930, 75m)Увійдіть, будь ласка, щоб коментувати
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