Фільмографія
Знайдено 2 результати
6.5 Сюжет (англ.)
Jesper is a soldier in the German army. Although his brother was killed whilst serving in Afghanistan, he nevertheless reports for a new tour of duty in this war zone. He and his unit are to protect a remote village from the Taliban. One of the people accompanying Jesper is a young interpreter, Tarik, whose job includes mediating between soldiers and villagers. Both sides have a hard time trying to overcome the differences in their respective ways of life. Jesper must gain the trust of both villagers and the allied Arbaki militia and his nerves are soon on edge. He finds himself increasingly morally conflicted as a result of his superiors' orders. His association with the Germans means Tarik's life is constantly under threat, but when Tarik begins to fear for his sister's safety, Jesper has to make a decision. Feo Aladag uses this portrait of an ISAF soldier in Afghanistan to explore questions of affinity and otherness, trust and failure. How humane can your actions be if you are bound by the workings of a strict military bureaucracy? What remains of the ideals of human dignity when you are caught up in a daily struggle for survival?
Inbetween Worlds (2014)
Inbetween Worlds
12+
актор у ролі Haroon
11 лютого 2014 (Світ)
Німеччина
1 год 38 хв
Читати опис (англ.)
Jesper is a soldier in the German army. Although his brother was killed whilst serving in Afghanistan, he nevertheless reports for a new tour of duty in this war zone. He and his unit are to protect a remote village from the Taliban. One of the people accompanying Jesper is a young interpreter, Tarik, whose job includes mediating between soldiers and villagers. Both sides have a hard time trying to overcome the differences in their respective ways of life. Jesper must gain the trust of both villagers and the allied Arbaki militia and his nerves are soon on edge. He finds himself increasingly morally conflicted as a result of his superiors' orders. His association with the Germans means Tarik's life is constantly under threat, but when Tarik begins to fear for his sister's safety, Jesper has to make a decision. Feo Aladag uses this portrait of an ISAF soldier in Afghanistan to explore questions of affinity and otherness, trust and failure. How humane can your actions be if you are bound by the workings of a strict military bureaucracy? What remains of the ideals of human dignity when you are caught up in a daily struggle for survival?
Сюжет (англ.)
When Taliban authorities deny the turning over of Osama Bin Laden post 911, U.S. Forces rout their leadership from Kabul and free its Afghan citizens from the brutal grip of spiritual henchman Mullah Mohammed Omar and that of his dark-age Sharia led leadership. Seizing upon this new and volatile window of freedom, matriarch Farishta Mansouri along with her husband Hadar normalize their family's efforts by turning her deceased father's Soviet destroyed bookstore into a restaurant. A place of hope called "The Poet's Corner" along with an open microphone, a small stage and an invitation for all Afghans to read their poetry, voice is now given to the voiceless. Both men and women now have a safe, equal and inviting place to tell their stories and to sing their songs. But like a lightening rod, these new voices of freedom attract the darkest, lingering factional Taliban elements who then target the Mansouri family in the most heinous ways imaginable. In their efforts to silence the platform of freedom, Farishta and Hadar Mansouri are made a dire example by that of the Taliban through their desire to live freely, safely and with their own self-determination. Ultimately overcoming overwhelming odds the Taliban leadership is given a lesson of their own.
The Black Tulip (2010)
The Black Tulip
актор у ролі Talib Kaleel
26 жовтня 2012 (Світ)
Афганістан, США
1 год 56 хв
Читати опис (англ.)
When Taliban authorities deny the turning over of Osama Bin Laden post 911, U.S. Forces rout their leadership from Kabul and free its Afghan citizens from the brutal grip of spiritual henchman Mullah Mohammed Omar and that of his dark-age Sharia led leadership. Seizing upon this new and volatile window of freedom, matriarch Farishta Mansouri along with her husband Hadar normalize their family's efforts by turning her deceased father's Soviet destroyed bookstore into a restaurant. A place of hope called "The Poet's Corner" along with an open microphone, a small stage and an invitation for all Afghans to read their poetry, voice is now given to the voiceless. Both men and women now have a safe, equal and inviting place to tell their stories and to sing their songs. But like a lightening rod, these new voices of freedom attract the darkest, lingering factional Taliban elements who then target the Mansouri family in the most heinous ways imaginable. In their efforts to silence the platform of freedom, Farishta and Hadar Mansouri are made a dire example by that of the Taliban through their desire to live freely, safely and with their own self-determination. Ultimately overcoming overwhelming odds the Taliban leadership is given a lesson of their own.
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