Петер Черкаськи
Peter Tscherkassky
Дата народження: 3 жовтня 1958 (67 років)
Знак зодіаку: Терези
Місце народження: Відень, Австрія
Всього фільмів (на сайті): 21
Ролі: режисер (20), продюсер (11), кінематографіст (6), сценарист (4), актор (3)
Знайдено 11 результат
7.0 Сюжет (англ.)
The Exquisite Corpus is based on various erotic films and advertising rushes. I play on the "cadavre exquis" technique used by the Surrealists, drawing disparate body parts constellating magical creatures. Myriad fragments are melted into a single sensuous, humorous, gruesome, and ecstatic dream.
The Exquisite Corpus (2015)
The Exquisite Corpus
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The Exquisite Corpus is based on various erotic films and advertising rushes. I play on the "cadavre exquis" technique used by the Surrealists, drawing disparate body parts constellating magical creatures. Myriad fragments are melted into a single sensuous, humorous, gruesome, and ecstatic dream.
Сюжет (англ.)
A film woven around the idea that between early cinema and avant-garde film exists a connection.
Coming Attractions (2010)
Coming Attractions
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A film woven around the idea that between early cinema and avant-garde film exists a connection.
Сюжет (англ.)
N/A
The Arrival (1999)
The Arrival
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N/A
Сюжет (англ.)
A premonition of a horror film, lurking danger: A house - at night, slightly tilted in the camera's view, eerily lit - surfaces from the pitch black, then sinks back into it again. A young ...
Зовнішній простір (1999)
Outer Space
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A premonition of a horror film, lurking danger: A house - at night, slightly tilted in the camera's view, eerily lit - surfaces from the pitch black, then sinks back into it again. A young ...
Сюжет (англ.)
Parallel Space: Inter-View is made with a photo camera. A miniature photo is exactly the size of two film frames. Optically it resembles a flickering double exposure; the former temporal ...
Parallel Space: Inter-View (1992)
Parallel Space: Inter-View
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Parallel Space: Inter-View is made with a photo camera. A miniature photo is exactly the size of two film frames. Optically it resembles a flickering double exposure; the former temporal ...
Сюжет (англ.)
The target of Tabula Rasa is the heart of cinema. Voyeuristic desire as the pre-condition for all cinema pleasure is at stake here. What Christian Metz and Jacques Lacan have established in...
Tabula rasa (1989)
Tabula rasa
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The target of Tabula Rasa is the heart of cinema. Voyeuristic desire as the pre-condition for all cinema pleasure is at stake here. What Christian Metz and Jacques Lacan have established in...
Сюжет (англ.)
A tangled network woven with tiny particles of movements broken out of found footage and compiled anew: the elements of the "to the left, to the right, back and forth" grammar of narrative ...
Manufractur (1985)
Manufractur
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A tangled network woven with tiny particles of movements broken out of found footage and compiled anew: the elements of the "to the left, to the right, back and forth" grammar of narrative ...
Сюжет (англ.)
One can determine a line in Tscherkassky's oeuvre which turns around a game with filmic presentation, with degrees of recognizability - with the only-just and the not-any-more. Just to see ...
Erotique (1982)
Erotique
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One can determine a line in Tscherkassky's oeuvre which turns around a game with filmic presentation, with degrees of recognizability - with the only-just and the not-any-more. Just to see ...
Сюжет (англ.)
Liebesfilm is an ironic attack on one of the durables of the Hollywood clichés - the film kiss. A short take of mouths approaching each other is shown 522 times. But the kiss never takes ...
Film of Love (1982)
Film of Love
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Liebesfilm is an ironic attack on one of the durables of the Hollywood clichés - the film kiss. A short take of mouths approaching each other is shown 522 times. But the kiss never takes ...
Сюжет (англ.)
Aderlaß is a youthful attempt to process the inheritance of the Vienna Actionists through the use of a super 8 camera. In front of the camera is a performance from Armin Schmickl Sebastiano...
Blood-Letting (1981)
Blood-Letting
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Aderlaß is a youthful attempt to process the inheritance of the Vienna Actionists through the use of a super 8 camera. In front of the camera is a performance from Armin Schmickl Sebastiano...Увійдіть, будь ласка, щоб коментувати
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