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A palpably rendered audiovisual essay draws together the distinct sensibilities of filmmakers Peter Mettler (The End of Time) and Emma Davie (I am Breathing) and philosopher David Abram (...Сюжет (англ.)
A palpably rendered audiovisual essay draws together the distinct sensibilities of filmmakers Peter Mettler (The End of Time) and Emma Davie (I am Breathing) and philosopher David Abram (...Сюжет (англ.)
In a Scottish town in 1974, factory workers refuse to carry out repairs on warplane engines in an act of solidarity against the violent military coup in Chile. Four years pass before the ...Сюжет (англ.)
In a Scottish town in 1974, factory workers refuse to carry out repairs on warplane engines in an act of solidarity against the violent military coup in Chile. Four years pass before the ...Сюжет (англ.)
Robert has put aside his tools for pen and paper.Сюжет (англ.)
I AM BREATHING reminds us what it is to be alive - a tale of fun and laughs with a smattering of upset and devastation. Within a year, Neil Platt goes from being a healthy 30-something British bloke with a great sense of humor to becoming completely paralyzed from the neck down, thanks to the devastating illness he has inherited - known as ALS, MND, or Lou Gehrig's Disease. As his body gets weaker, his perspective on life changes. His humor remains, but new wisdom emerges: "It's amazing how adaptable we are when we have to be. It's what separates us and defines us as human beings." Knowing he only has a few months left to live, and while he still has the ability to speak, Neil puts together a letter and memory box for his baby son Oscar and communicates his experience and thoughts about life in a blog - and in this film which he was determined to make. The directness of his communication mingles with images of the sensory details of a life well lived, and makes us revalue the ordinary. His blog posts form the film's narration as he tells his own story through memories and impressions of his life - the sheer joy of falling in love, of partying with his mates, of fast motorbike rides. Through his determination to share his final journey, he makes us ask questions about our own lives.Сюжет (англ.)
I AM BREATHING reminds us what it is to be alive - a tale of fun and laughs with a smattering of upset and devastation. Within a year, Neil Platt goes from being a healthy 30-something British bloke with a great sense of humor to becoming completely paralyzed from the neck down, thanks to the devastating illness he has inherited - known as ALS, MND, or Lou Gehrig's Disease. As his body gets weaker, his perspective on life changes. His humor remains, but new wisdom emerges: "It's amazing how adaptable we are when we have to be. It's what separates us and defines us as human beings." Knowing he only has a few months left to live, and while he still has the ability to speak, Neil puts together a letter and memory box for his baby son Oscar and communicates his experience and thoughts about life in a blog - and in this film which he was determined to make. The directness of his communication mingles with images of the sensory details of a life well lived, and makes us revalue the ordinary. His blog posts form the film's narration as he tells his own story through memories and impressions of his life - the sheer joy of falling in love, of partying with his mates, of fast motorbike rides. Through his determination to share his final journey, he makes us ask questions about our own lives.Сюжет (англ.)
A film about love and utopia.Сюжет (англ.)
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.Сюжет (англ.)
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.Коментарі:
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