Кріс Картер

Chris Carter

Дата народження: 28 січня 1953 (73 роки)

Знак зодіаку: Водолій

Місце народження: Лондон, Англія, Велика Британія

Всього фільмів (на сайті): 3

Ролі: актор (2), композитор (1)

Фільмографія
Сховати реаліті тв-шоу

Знайдено 3 результати

I Dream of Wires (2014) актор у ролі Himself, Throbbing Gristle 0.0 imdb 6.6
Сюжет (англ.) The history and resurgence of the electronic modular music synthesizer.

I Dream of Wires (2014)

I Dream of Wires

актор у ролі Himself, Throbbing Gristle актор у ролі Himself, Throbbing Gristle
Сюжет (англ.) The history and resurgence of the electronic modular music synthesizer.
Synth Britannia (2009) зіграв самого себе 0.0 imdb 7.9
Сюжет (англ.) Following a generation of post-punk musicians who went to form successful electronic bands in the 70s and 80s and had a profound impact on present day music.

Synth Britannia (2009)

Synth Britannia

зіграв самого себе зіграв самого себе
Сюжет (англ.) Following a generation of post-punk musicians who went to form successful electronic bands in the 70s and 80s and had a profound impact on present day music.
In the Shadow of the Sun (1981) композитор 0.0 imdb 6.5
Сюжет (англ.) 'The Shadow of the Sun' draws upon Derek Jarman’s interest with alchemical processes as a metaphor for reprocessing Super-8 film. Jarman once described film’s union of light and matter as “an alchemical conjunction” and experimented throughout his career with creating dream symbolism through the superimposition of image and action. Originally called English Apocalypse, the film’s final title is derived from a 17th Century alchemical text that used the phrase as a synonym for the philosopher’s stone – the highly sought substance that turns base metals into gold and silver. The film was intended as a step toward the idea of an ambient video, that like its musical counterpart, was designed to enhance an environment.

In the Shadow of the Sun (1981)

In the Shadow of the Sun

композитор композитор
Сюжет (англ.) 'The Shadow of the Sun' draws upon Derek Jarman’s interest with alchemical processes as a metaphor for reprocessing Super-8 film. Jarman once described film’s union of light and matter as “an alchemical conjunction” and experimented throughout his career with creating dream symbolism through the superimposition of image and action. Originally called English Apocalypse, the film’s final title is derived from a 17th Century alchemical text that used the phrase as a synonym for the philosopher’s stone – the highly sought substance that turns base metals into gold and silver. The film was intended as a step toward the idea of an ambient video, that like its musical counterpart, was designed to enhance an environment.
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