Марі Кореллі
Marie Corelli
Дата народження: 1 травня 1855
Знак зодіаку: Телець
Дата смерті: 21 квітня 1924 (68 років)
Місце народження: Лондон, Англія, Об'єднане Королівство
Всього фільмів (на сайті): 4
Ролі: сценаристка
Знайдено 4 результати
6.2 Сюжет (англ.)
Geoffrey, a young and impoverished writer, is desperately in love with Mavis, who lives at his boardinghouse and is also pursuing a writing career. Unable to marry her because of his ...
The Sorrows of Satan (1926)
The Sorrows of Satan
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Geoffrey, a young and impoverished writer, is desperately in love with Mavis, who lives at his boardinghouse and is also pursuing a writing career. Unable to marry her because of his ...
Сюжет (англ.)
An orphan learns an artist's love is false, returns to the farm, and dies in a storm.
Innocent (1921)
Innocent
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An orphan learns an artist's love is false, returns to the farm, and dies in a storm.
Сюжет (англ.)
After seeing D. W. Griffith's epic Intolerance, Denmark's greatest director, Carl Theodor Dreyer (The Passion of Joan of Arc, Vampyr), was inspired to make his own four-episode historical epic with each story told end to end, anthology-style, linked by theme to the others. The unifying character, Satan, attempts to win God's favor but is doomed to cheerless participation in dark episodes of human history: the temptation of Jesus, the Spanish Inquisition, the French Revolution and the Russo-Finnish war of 1918. Few directors resisted compromise and convention the way Dreyer did; fortunately, the Nordisk Film Company was artistically progressive by Hollywood standards and agreed that this should be a prestige film made to the highest standards. More than two years in production, Dreyer not only directed but also controlled every facet of this ambitious production.
Leaves from Satan's Book (1920)
Leaves from Satan's Book
Читати опис (англ.)
After seeing D. W. Griffith's epic Intolerance, Denmark's greatest director, Carl Theodor Dreyer (The Passion of Joan of Arc, Vampyr), was inspired to make his own four-episode historical epic with each story told end to end, anthology-style, linked by theme to the others. The unifying character, Satan, attempts to win God's favor but is doomed to cheerless participation in dark episodes of human history: the temptation of Jesus, the Spanish Inquisition, the French Revolution and the Russo-Finnish war of 1918. Few directors resisted compromise and convention the way Dreyer did; fortunately, the Nordisk Film Company was artistically progressive by Hollywood standards and agreed that this should be a prestige film made to the highest standards. More than two years in production, Dreyer not only directed but also controlled every facet of this ambitious production.
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