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Maurizio Benazzo

Всього фільмів (на сайті): 2

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Little Singer (2026) режисер 0.0 imdb 0.0
Сюжет (англ.) Amidst the horizons of Diné land, the legacy of historical trauma echos through generations. At the center, a medicine man and a small school, where grief and resilience meet in song, teaching, and k’é (kinship). Little Singer is rooted in land; carrying the vision and medicine of k’é forward.

Little Singer (2026)

Little Singer

режисер режисер
Сюжет (англ.) Amidst the horizons of Diné land, the legacy of historical trauma echos through generations. At the center, a medicine man and a small school, where grief and resilience meet in song, teaching, and k’é (kinship). Little Singer is rooted in land; carrying the vision and medicine of k’é forward.
Flowers of the Earth (2026) режисер 0.0 imdb 0.0
Сюжет (англ.) "Water lives in our bodies," a Kaiowá poet once said. "It evaporates into the air, becomes a cloud of love, falls as rain, sprouts the buds, blooms the flowers. We are Nature." For the Guarani-Kaiowá of Mato Grosso do Sul, there is no line where the body ends and the land begins. The earth is their skin, the tree their umbilicus, the mountains the bones of a living mother. But for over a century, that mother has been fenced, burned, mined, and poisoned, her children pushed onto slivers of the territory that once held them all. The film listens to the elders who remember the forest before the farmers came, before the native were clear-cut and the living land was carved into square plots of a single endless crop.

Flowers of the Earth (2026)

Flowers of the Earth

режисер режисер
Сюжет (англ.) "Water lives in our bodies," a Kaiowá poet once said. "It evaporates into the air, becomes a cloud of love, falls as rain, sprouts the buds, blooms the flowers. We are Nature." For the Guarani-Kaiowá of Mato Grosso do Sul, there is no line where the body ends and the land begins. The earth is their skin, the tree their umbilicus, the mountains the bones of a living mother. But for over a century, that mother has been fenced, burned, mined, and poisoned, her children pushed onto slivers of the territory that once held them all. The film listens to the elders who remember the forest before the farmers came, before the native were clear-cut and the living land was carved into square plots of a single endless crop.
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