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7.4 Сюжет (англ.)
N/A
We Spin Around the Night Consumed by the Fire (1978)
We Spin Around the Night Consumed by the Fire
сценарист, режисер
12 березня 1978 (Світ)
Франція
1 год 40 хв
Читати опис (англ.)
N/A
Сюжет (англ.)
A response to critics of Society of the Spectacle takes to task both these who praised it (for liking other things inconsistent with that praise) and those who attacked it (for having also liked many things that discredit their judgment)
Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle" (1975)
Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"
актор у ролі Narrator, сценарист, режисер
1 січня 1975 (Світ)
Франція
22 хв
Читати опис (англ.)
A response to critics of Society of the Spectacle takes to task both these who praised it (for liking other things inconsistent with that praise) and those who attacked it (for having also liked many things that discredit their judgment)
Сюжет (англ.)
Guy Debord's landmark cinematic analysis of consumer society is based on his influential sociological book "La société du spectacle" (1967). Debord was a leading member of the avant-garde art movement 'Situationist International'. This cinematic essay uses their method of 'détournement' to decontextualize and rearrange preexisting audiovisual materials and texts to critizise them and create new meaning. The result is a subversive collage of ideological (moving) images from socialist and capitalist societies that are presented here as artefacts of a global media 'spectacle': Social relations between people are mediated by artificial images and false representations that transform humans into mere passive consumers and 'spectators' of their alienated existence. Guy Debord's motivation was to create a radical social critique and a disruptive, anti-illusionist cinema as an antidote and revolutionary tool against the dominant cultural and sociopolitical forces of his time.
The Society of the Spectacle (1974)
The Society of the Spectacle
режисер, актор у ролі Narrator, сценарист
1 травня 1974 (Світ)
Франція
1 год 28 хв
Читати опис (англ.)
Guy Debord's landmark cinematic analysis of consumer society is based on his influential sociological book "La société du spectacle" (1967). Debord was a leading member of the avant-garde art movement 'Situationist International'. This cinematic essay uses their method of 'détournement' to decontextualize and rearrange preexisting audiovisual materials and texts to critizise them and create new meaning. The result is a subversive collage of ideological (moving) images from socialist and capitalist societies that are presented here as artefacts of a global media 'spectacle': Social relations between people are mediated by artificial images and false representations that transform humans into mere passive consumers and 'spectators' of their alienated existence. Guy Debord's motivation was to create a radical social critique and a disruptive, anti-illusionist cinema as an antidote and revolutionary tool against the dominant cultural and sociopolitical forces of his time.
Сюжет (англ.)
A theory of Situationism is proposed through shots of Paris, a young woman, newsreel clips, extracts from classic films, photographs and newspaper images
Critique of Separation (1961)
Critique of Separation
актор, сценарист, режисер
25 березня 1961 (Світ)
Франція
20 хв
Читати опис (англ.)
A theory of Situationism is proposed through shots of Paris, a young woman, newsreel clips, extracts from classic films, photographs and newspaper images
Сюжет (англ.)
A semi-autobiographical Situationist short combines images of Paris, of director Debord and his friends, and of an advertisement for soap.
On the Passage of a Few People through a Relatively Short Period of Time (1959)
On the Passage of a Few People through a Relatively Short Period of Time
режисер, сценарист, актор у ролі Voix 2
25 березня 1959 (Світ)
Франція
20 хв
Читати опис (англ.)
A semi-autobiographical Situationist short combines images of Paris, of director Debord and his friends, and of an advertisement for soap.
Сюжет (англ.)
The director renders tribute to the Marquis of Sade without images. The screen is white when the testimonies speak, and black when they don't, in this experimental film.
Howlings in Favour of De Sade (1952)
Howlings in Favour of De Sade
актор, сценарист, режисер
25 березня 1952 (Світ)
Франція
1 год 4 хв
Читати опис (англ.)
The director renders tribute to the Marquis of Sade without images. The screen is white when the testimonies speak, and black when they don't, in this experimental film.Коментарі:
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