Françoise Mouly

Françoise Mouly

Рік народження: 1955 (71 років)

Місце народження: Франція

Всього фільмів (на сайті): 3

Ролі: актор

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Знайдено 3 результати

The New Yorker: 100-річний ювілей (2025) актор у ролі Self - Art Editor ✓ укр. аудіо
документальний 9.0

7.2

Сюжет

Безкомпромісна журналістика. Легендарна художня література. Дотепні карикатури. Погляд на минуле, теперішнє й майбутнє The New Yorker, якому виповнилося 100 років.

Трейлер

The New Yorker: 100-річний ювілей (2025)

The New Yorker at 100

16+

актор у ролі Self - Art Editor

29 серпня 2025 (Світ)

документальний

США 1 год 36 хв

Читати опис

КіноБаза: 9.0 (2) IMDb: 7.2 (1433)

Моя оцінка:

/10

(укр. аудіо, укр. субтитри)

Art Spiegelman: Disaster Is My Muse (2024) зіграв самого себе
документальний 0.0

7.6

Сюжет (англ.)

The life and work of the Pulitzer-prize-winning career of the cartoonist, Art Spiegelman.

Трейлер

Art Spiegelman: Disaster Is My Muse (2024)

Art Spiegelman: Disaster Is My Muse

12+

зіграв самого себе

21 лютого 2025 (Світ)

документальний

США 1 год 38 хв

Читати опис (англ.)

The life and work of the Pulitzer-prize-winning career of the cartoonist, Art Spiegelman.

КіноБаза: 0.0 (0) IMDb: 7.6 (238)

Моя оцінка:

/10

Comic Book Confidential (1988) зіграв самого себе
документальний, історичний 0.0

7.0

Сюжет (англ.)

In the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisner's "Spirit". It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the medium's creative freedom, we also explore EC's defiant survival with the creation of the singular "Mad Magazine" by Harvey Kurtzman. We then move to the resurgence of the superheroes in the late 1950's and 1960's typified with the rise of the dramatically innovative Marvel Comics edited by Stan Lee. Still more important is the rise of the the gleefully uninhibited underground comics created by eccentric talents like Robert Crumb and Dan O'Neill. These leads to profiles of creaters like Harvey Pekar who take the medium into new directions of expression. In the late 1970s and '80s we see the rise of alternative comics with such bold talents like Jaime HernÃ¡ndez for "Love and Rockets, Sue Coe for How to Commit Suicide in South Africa and especially for Art Spiegelman for his searing Pulitizer Prize winning Holocaust account, Maus. Finally, we learn of the medium's superhero mythos' revitalizing moment with the creation of Frank Miller's ferocious min-series "Batman: The Dark Knight Returns". Taken together, the film makes its arguement that the medium is far more than the stereotype of juvenile trash but rather it is an artform with a wild history and an exciting future.