Evgeniy Evtushenko

The subversive masterpieces of Russian-Ukrainian writer Isaac Babel challenged the reality of life under rising totalitarianism, and led to his arrest and execution in 1940. In Finding ...

Finding Babel (2015)

Finding Babel

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Сюжет (англ.)

The subversive masterpieces of Russian-Ukrainian writer Isaac Babel challenged the reality of life under rising totalitarianism, and led to his arrest and execution in 1940. In Finding ...

I Am Cuba, the Siberian Mammoth (2004) зіграв самого себе 0.0

7.2

Сюжет (англ.)

This film examines the creation and exhibition of the propaganda film I Am Cuba, a Soviet/Cuban collaboration unknown in the West until the 1990s.

I Am Cuba, the Siberian Mammoth (2004)

I Am Cuba, the Siberian Mammoth

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Сюжет (англ.)

This film examines the creation and exhibition of the propaganda film I Am Cuba, a Soviet/Cuban collaboration unknown in the West until the 1990s.

Холодна війна (1998—1999) зіграв самого себе 0.0

8.7

Сюжет (англ.)

A 24-part series which deals with the relations between the United States, the Soviet Union and their respective allies between the end of World War II to the collapse of the Soviet Union in 1991.

Холодна війна (1998—1999)

Cold War

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Сюжет (англ.)

A 24-part series which deals with the relations between the United States, the Soviet Union and their respective allies between the end of World War II to the collapse of the Soviet Union in 1991.

Іронія долі або з Легкою парою! (1975) сценарист 7.3

8.0

Сюжет

Пішли друзі в лазню попаритися, за традицією змити з себе все погане, щоб зустріти Новий Рік чистими, а «напарилися» до такої міри, що відправили у Лєнінґрад не того.

Іронія долі або з Легкою парою! (1975)

The Irony of Fate, or Enjoy Your Bath!

сценарист сценарист

Сюжет

Пісня завжди з нами (1975) актор 0.0

0.0

Сюжет

«Пісня завжди з нами» — радянський музичний фільм 1975 року Віктора Стороженка, у головній ролі — Софія Ротару, а також український вокально-інструментальний ансамбль «Червона рута». У фільмі брали участь балетна група Київського мюзик-голу і танцювальний ансамбль «Смеречина». У фільмі прозвучали пісні українською, румунською та московською мовами. Титри — московською.

Пісня завжди з нами (1975)

The Song Is Always With Us

актор актор

Сюжет

Apostrophes (1975—1990) зіграв самого себе 0.0

6.7

Сюжет (англ.)

Apostrophes is a French literary television program produced and hosted by Bernard Pivot, broadcast live on Antenne 2 between January 10, 1975, and June 22, 1990, every Friday evening at 9:40 p.m. Defined by Bernard Pivot as a "ma...

Apostrophes (1975—1990)

Apostrophes

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Сюжет (англ.)

I Am Curious (Yellow) (1967) зіграв самого себе 6.0

6.0

Сюжет (англ.)

Lena, aged twenty, wants to know all she can about life and reality. She collects information on everyone and everything, storing her findings in an enormous archive. She experiments with relationships, political activism, and meditation. Meanwhile, the actors, director and crew are shown in a humorous parallel plot about the making of the film and their reactions to the story and each other. Nudity, explicit sex, and controversial politics kept this film from being shown in the US while its seizure by Customs was appealed.

I Am Curious (Yellow) (1967)

I Am Curious (Yellow)

18+

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Сюжет (англ.)

Мені двадцять років (1965) зіграв самого себе 7.9

7.7

Сюжет (англ.)

Following three lifelong friends who return to Moscow after military service, we see their aspirations juxtaposed against everyday life in 1960 Soviet Union.

Мені двадцять років (1965)

I Am Twenty

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Сюжет (англ.)

Following three lifelong friends who return to Moscow after military service, we see their aspirations juxtaposed against everyday life in 1960 Soviet Union.

I Am Cuba (1964) сценарист 6.0

8.2

Сюжет (англ.)

This study of Cuba--partially written by renowned poet Yevgeny Yevtushenko--captures the island just before it made the transition to a post-revolutionary society. Moving from city to country and back again, I AM CUBA examines the various problems caused by political oppression as well as by great discrepancies in wealth and power. Beginning in Havana in the pre-Castro era, we see how foreigners contributed to the city's prostitution and poverty; this sequence features dreamy, hallucinogenic camera work that creates a feeling of unease and dislocation. Then, in glorious images of palm tress and fertile land, the film looks at the sugar cane fields in the countryside, and the difficulties faced by peasants working the land. Finally, back in the city again, leftist students battle the police and a corrupt government--and pay a high price for their rebellion.