Diego Vegezzi
Дата народження: 1 грудня 1991 (34 роки)
Знак зодіаку: Стрілець
Місце народження: Буенос-Айрес, Арґентина
Всього фільмів (на сайті): 9
Ролі: актор
Фільмографія
Знайдено 9 результатів
7.8 Сюжет
Пасажирський літак розбивається в Андах. Уцілілі змушені об’єднати зусилля й покладатися лише одне на одного, щоб вижити та знайти шлях додому.
Снігова спільнота (2023)
Society of the Snow
16+
актор у ролі Marcelo Pérez del Castillo актор у ролі Marcelo Pérez del Castillo ✓ укр. аудіо
Сюжет
Пасажирський літак розбивається в Андах. Уцілілі змушені об’єднати зусилля й покладатися лише одне на одного, щоб вижити та знайти шлях додому.Сюжет (англ.)
Torcuato and Bruno, two Spanish friends, flee from the Civil War to take refuge in Argentine territory. However, luck is not presented to them in the same way and they will soon succumb to mutual betrayals.
Сюжет (англ.)
Torcuato and Bruno, two Spanish friends, flee from the Civil War to take refuge in Argentine territory. However, luck is not presented to them in the same way and they will soon succumb to mutual betrayals.Сюжет (англ.)
Two friends travel to sing at a wedding and reencounter themselves with old stories and new problems.
Сюжет (англ.)
Two friends travel to sing at a wedding and reencounter themselves with old stories and new problems.Сюжет (англ.)
A young chef's apprentice finds himself at a crucial crossroads: love, family, friends, or career. Only one path can be followed and the choice will change his life forever.
Сюжет (англ.)
A young chef's apprentice finds himself at a crucial crossroads: love, family, friends, or career. Only one path can be followed and the choice will change his life forever.
Сюжет (англ.)
MARIA AND SPIDER is the story of Maria, a thirteen year old girl who lives in a Buenos Aires shantytown whit her grandmother and her obscure partner. Candidate for a scholarship to continue her education, Maria is finishing primar...
Сюжет (англ.)
MARIA AND SPIDER is the story of Maria, a thirteen year old girl who lives in a Buenos Aires shantytown whit her grandmother and her obscure partner. Candidate for a scholarship to continue her education, Maria is finishing primar...Сюжет (англ.)
Five young people are involved in a serious car accident that leaves four of them dead. Isabel, the youngest, is the only survivor and helps her four friends realize they have passed on.
Сюжет (англ.)
Five young people are involved in a serious car accident that leaves four of them dead. Isabel, the youngest, is the only survivor and helps her four friends realize they have passed on.Сюжет (англ.)
Buenos Aires, March 1982. On the streets of the Argentinean capital, people are challenging the military dictatorship. The walls of the school are thick and redoubtable. A secure promise of the guaranteed preservation of the good old days of school routine from anything that may happen outside its walls in the neighbouring streets, in Buenos Aires itself, in the Argentina of 1982. MarÃa Teresa is a classroom assistant at that school, an innocent - or maybe just ignorant - mistress of ceremonies, a bystander. She is twenty years old. She started work when it was still summer and Mr. Biasutto, the chief classroom assistant, made quite clear to her at her first interview the sort of attitude she is expected to adopt with students because it would not be an easy task to arrive at what he called 'the optimum surveillance point': Always on the 'qui vive', never missing a thing, but never giving cause for alarm amongst the students. A surveillance which would pick up on everything but would never be picked up on itself. A fleeting look on the face of the pervert, or the warden, or maybe the master. But if everything is out of order -even for her-, everything is transgression. And when MarÃa Teresa, hot on the trail of the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys lavatories to catch smokers in flagrante delicto and haul them up before the authorities, slowly morphing the whole procedure into a clandestine habit of dubious piquancy; not exactly breaking the rules but bending them willy nilly, twisting, diverting them come what may but, of course, with utter correctness and obeisance to a surveillance emanating from the inflexible custodianship of a complete and atrocious normality. Surveillance, custodianship that could possibly be enforced beyond the boundaries of this enclosed world, because beyond the sheer masonry encasing this school, where the future ruling classes have studied and are studying, there is another world, there is an entire country that has virtually nothing to do with it.
Сюжет (англ.)
Buenos Aires, March 1982. On the streets of the Argentinean capital, people are challenging the military dictatorship. The walls of the school are thick and redoubtable. A secure promise of the guaranteed preservation of the good old days of school routine from anything that may happen outside its walls in the neighbouring streets, in Buenos Aires itself, in the Argentina of 1982. MarÃa Teresa is a classroom assistant at that school, an innocent - or maybe just ignorant - mistress of ceremonies, a bystander. She is twenty years old. She started work when it was still summer and Mr. Biasutto, the chief classroom assistant, made quite clear to her at her first interview the sort of attitude she is expected to adopt with students because it would not be an easy task to arrive at what he called 'the optimum surveillance point': Always on the 'qui vive', never missing a thing, but never giving cause for alarm amongst the students. A surveillance which would pick up on everything but would never be picked up on itself. A fleeting look on the face of the pervert, or the warden, or maybe the master. But if everything is out of order -even for her-, everything is transgression. And when MarÃa Teresa, hot on the trail of the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys lavatories to catch smokers in flagrante delicto and haul them up before the authorities, slowly morphing the whole procedure into a clandestine habit of dubious piquancy; not exactly breaking the rules but bending them willy nilly, twisting, diverting them come what may but, of course, with utter correctness and obeisance to a surveillance emanating from the inflexible custodianship of a complete and atrocious normality. Surveillance, custodianship that could possibly be enforced beyond the boundaries of this enclosed world, because beyond the sheer masonry encasing this school, where the future ruling classes have studied and are studying, there is another world, there is an entire country that has virtually nothing to do with it.Коментарі:
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