Дієго Лерман
Diego Lerman
Дата народження: 24 березня 1976 (50 років)
Знак зодіаку: Овен
Місце народження: Буенос-Айрес, Арґентина
Всього фільмів (на сайті): 18
Ролі: продюсер (16), сценарист ★ 7.25 (9), режисер ★ 7.25 (8), актор (1), ідея (1)
Знайдено 8 результатів
5.3 Сюжет
Аргентина, 1980-ті роки. Журналіст, який розслідує діяльність прибульців, змушений зупинитися через брак доказів. Тоді він вирішує підробити їх.
Чоловік, який любив НЛО (2024)
The Man Who Loved UFOs
16+Читати опис
Аргентина, 1980-ті роки. Журналіст, який розслідує діяльність прибульців, змушений зупинитися через брак доказів. Тоді він вирішує підробити їх.
(укр. субтитри)
Сюжет
Зарозумілий професор повертається до передмістя викладати літературу в старших класах й опиняється віч-на-віч зі своїм минулим, власним батьком і реаліями життя в районі.
Замісник (2022)
The Substitute
13+Читати опис
Зарозумілий професор повертається до передмістя викладати літературу в старших класах й опиняється віч-на-віч зі своїм минулим, власним батьком і реаліями життя в районі.
(укр. субтитри)
Сюжет (англ.)
An Argentine house with a dark past is the site of a series of scandalous and disturbing events over the years.
Сюжет
Через жорстокість свого чоловіка Лаура змушена тікати з дому. Разом з сином Матіасом вона переховується в притулку, в знайомих, випадковому готелі, але всюди відчуває небезпеку. Врешті вона знаходить безпечне місце, але їм ще доведеться прийняти важливе рішення.
Втікачі (2014)
Refugiado
Читати опис
Через жорстокість свого чоловіка Лаура змушена тікати з дому. Разом з сином Матіасом вона переховується в притулку, в знайомих, випадковому готелі, але всюди відчуває небезпеку. Врешті вона знаходить безпечне місце, але їм ще доведеться прийняти важливе рішення.
Сюжет (англ.)
Buenos Aires, March 1982. On the streets of the Argentinean capital, people are challenging the military dictatorship. The walls of the school are thick and redoubtable. A secure promise of the guaranteed preservation of the good old days of school routine from anything that may happen outside its walls in the neighbouring streets, in Buenos Aires itself, in the Argentina of 1982. MarÃa Teresa is a classroom assistant at that school, an innocent - or maybe just ignorant - mistress of ceremonies, a bystander. She is twenty years old. She started work when it was still summer and Mr. Biasutto, the chief classroom assistant, made quite clear to her at her first interview the sort of attitude she is expected to adopt with students because it would not be an easy task to arrive at what he called 'the optimum surveillance point': Always on the 'qui vive', never missing a thing, but never giving cause for alarm amongst the students. A surveillance which would pick up on everything but would never be picked up on itself. A fleeting look on the face of the pervert, or the warden, or maybe the master. But if everything is out of order -even for her-, everything is transgression. And when MarÃa Teresa, hot on the trail of the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys lavatories to catch smokers in flagrante delicto and haul them up before the authorities, slowly morphing the whole procedure into a clandestine habit of dubious piquancy; not exactly breaking the rules but bending them willy nilly, twisting, diverting them come what may but, of course, with utter correctness and obeisance to a surveillance emanating from the inflexible custodianship of a complete and atrocious normality. Surveillance, custodianship that could possibly be enforced beyond the boundaries of this enclosed world, because beyond the sheer masonry encasing this school, where the future ruling classes have studied and are studying, there is another world, there is an entire country that has virtually nothing to do with it.
The Invisible Eye (2010)
The Invisible Eye
16+Читати опис (англ.)
Buenos Aires, March 1982. On the streets of the Argentinean capital, people are challenging the military dictatorship. The walls of the school are thick and redoubtable. A secure promise of the guaranteed preservation of the good old days of school routine from anything that may happen outside its walls in the neighbouring streets, in Buenos Aires itself, in the Argentina of 1982. MarÃa Teresa is a classroom assistant at that school, an innocent - or maybe just ignorant - mistress of ceremonies, a bystander. She is twenty years old. She started work when it was still summer and Mr. Biasutto, the chief classroom assistant, made quite clear to her at her first interview the sort of attitude she is expected to adopt with students because it would not be an easy task to arrive at what he called 'the optimum surveillance point': Always on the 'qui vive', never missing a thing, but never giving cause for alarm amongst the students. A surveillance which would pick up on everything but would never be picked up on itself. A fleeting look on the face of the pervert, or the warden, or maybe the master. But if everything is out of order -even for her-, everything is transgression. And when MarÃa Teresa, hot on the trail of the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys lavatories to catch smokers in flagrante delicto and haul them up before the authorities, slowly morphing the whole procedure into a clandestine habit of dubious piquancy; not exactly breaking the rules but bending them willy nilly, twisting, diverting them come what may but, of course, with utter correctness and obeisance to a surveillance emanating from the inflexible custodianship of a complete and atrocious normality. Surveillance, custodianship that could possibly be enforced beyond the boundaries of this enclosed world, because beyond the sheer masonry encasing this school, where the future ruling classes have studied and are studying, there is another world, there is an entire country that has virtually nothing to do with it.Сюжет (англ.)
Violeta asks a time to Mono to decide what to do with his partner. Eva arrives in the city ready to do anything to change her life.
Сюжет (англ.)
An Argentinian Dutch and Latin Comedy Drama where a young naive girl Marcia (Tatiana Saphir) learns about her sexuality. Marcia is kidnapped by 2 punk women Mao (Carla Crespo)& Veronica Hassan (Lenin). They take her to a coast which Marcia had never seen before. Eventually three women get familiar to each other and end up at Lenin's Grandma's friend, Aunt Blanca's (Beatriz Thibaudin) house as paying guest. There everybody discovers and rediscovers the relationships and affect each other.
Suddenly (2002)
Suddenly
Читати опис (англ.)
An Argentinian Dutch and Latin Comedy Drama where a young naive girl Marcia (Tatiana Saphir) learns about her sexuality. Marcia is kidnapped by 2 punk women Mao (Carla Crespo)& Veronica Hassan (Lenin). They take her to a coast which Marcia had never seen before. Eventually three women get familiar to each other and end up at Lenin's Grandma's friend, Aunt Blanca's (Beatriz Thibaudin) house as paying guest. There everybody discovers and rediscovers the relationships and affect each other.
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