Фільмографія
7.9 Сюжет (англ.)
From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker's Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar s...
Autoluminescent: Rowland S. Howard (2011)
Autoluminescent: Rowland S. Howard
актор у ролі Self - Interviewee
27 жовтня 2011 (Світ)
Австралія
1 год 50 хв
Читати опис (англ.)
From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker's Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar s...
Сюжет (англ.)
Outside Austin, Texas, a 53-year-old man sits in an apartment with four radios, three televisions, two amps, a radio scanner, and an electric piano playing. At the same time. Loudly. He has three teeth, his hair is matted into one huge dreadlock, and he has a notarized document on his wall declaring himself an alien, "so whoever's putting shocks to my head will stop." Thirty years earlier, Roger Kynard "Roky" Erickson was a rock-and-roll icon: A manic singer who was Janis Joplin's primary influence, he fronted a band called the 13th Floor Elevators, considered by many to be the creators of psychedelic music. After a 1969 marijuana arrest, Erickson entered an insanity plea and was sent to the Rusk State Hospital, a medieval institution deep in the east Texas pineforests. He remained there for three years with the state's most violent mentally ill offenders, then reemerged a changed man: He sang about ghouls, zombies, and Satan, christened himself "the evil one," and declared himself an alien. At some point he stopped recording altogether and disappeared: "the great lost vocalist of rock and roll." For the past 12 years, Erickson has lived as a total recluse, shut in with his white noise and watching cartoons all day. He collects junk-mail by the stack. He only opens the door for his mother, Evelyn. Evelyn spends her days in their crumbling family home, abandoned by her other four sons and husband, doing yoga and reimagining her life through homemade films and "storyboards"--large planks of cardboard onto which she's pasted family photos and written out the story of their lives, "to convince myself that I'd been a good mother." Through them, she slowly charts the disintegration of their family. Her youngest son Sumner, the only family member to have escaped, has not returned home in ten years. He hears of his brother's situation and vows to persuade his mother to cede control of Roky in a "crusade to give his brother his life and music back." Upon his arrival, Roky and Evelyn's insular world slowly unravels.
You're Gonna Miss Me (2005)
You're Gonna Miss Me
актор у ролі Himself - Rock Critic
8 червня 2007 (Світ)
США
1 год 31 хв
Читати опис (англ.)
Outside Austin, Texas, a 53-year-old man sits in an apartment with four radios, three televisions, two amps, a radio scanner, and an electric piano playing. At the same time. Loudly. He has three teeth, his hair is matted into one huge dreadlock, and he has a notarized document on his wall declaring himself an alien, "so whoever's putting shocks to my head will stop." Thirty years earlier, Roger Kynard "Roky" Erickson was a rock-and-roll icon: A manic singer who was Janis Joplin's primary influence, he fronted a band called the 13th Floor Elevators, considered by many to be the creators of psychedelic music. After a 1969 marijuana arrest, Erickson entered an insanity plea and was sent to the Rusk State Hospital, a medieval institution deep in the east Texas pineforests. He remained there for three years with the state's most violent mentally ill offenders, then reemerged a changed man: He sang about ghouls, zombies, and Satan, christened himself "the evil one," and declared himself an alien. At some point he stopped recording altogether and disappeared: "the great lost vocalist of rock and roll." For the past 12 years, Erickson has lived as a total recluse, shut in with his white noise and watching cartoons all day. He collects junk-mail by the stack. He only opens the door for his mother, Evelyn. Evelyn spends her days in their crumbling family home, abandoned by her other four sons and husband, doing yoga and reimagining her life through homemade films and "storyboards"--large planks of cardboard onto which she's pasted family photos and written out the story of their lives, "to convince myself that I'd been a good mother." Through them, she slowly charts the disintegration of their family. Her youngest son Sumner, the only family member to have escaped, has not returned home in ten years. He hears of his brother's situation and vows to persuade his mother to cede control of Roky in a "crusade to give his brother his life and music back." Upon his arrival, Roky and Evelyn's insular world slowly unravels.
Сюжет (англ.)
The Minutemen were a rock band from San Pedro, California. Through interviews with members Mike Watt (bass) and George Hurley (drums), the band's story is revealed. Commentary from other performers such as Flea, Greg Ginn, and Henry Rollins illuminates the band's place in the Southern California music scene and their contribution to music. Concert footage and old interview footage show Watt, Hurley, and departed singer/guitarist D. Boon, who died in an automobile accident in 1985.
We Jam Econo: The Story of the Minutemen (2005)
We Jam Econo: The Story of the Minutemen
актор у ролі Himself - Archivist
1 січня 2005 (Світ)
США
1 год 31 хв
Читати опис (англ.)
The Minutemen were a rock band from San Pedro, California. Through interviews with members Mike Watt (bass) and George Hurley (drums), the band's story is revealed. Commentary from other performers such as Flea, Greg Ginn, and Henry Rollins illuminates the band's place in the Southern California music scene and their contribution to music. Concert footage and old interview footage show Watt, Hurley, and departed singer/guitarist D. Boon, who died in an automobile accident in 1985.
Сюжет (англ.)
From their underground days recording songs in their bedroom to their rise as one of rock music's most alternative bands, this documentary chronicles Jad and David Fair's formation of Half Japanese.
Half Japanese: The Band That Would Be King (1993)
Half Japanese: The Band That Would Be King
зіграв самого себе
1 січня 1993 (Світ)
США
1 год 30 хв
Читати опис (англ.)
From their underground days recording songs in their bedroom to their rise as one of rock music's most alternative bands, this documentary chronicles Jad and David Fair's formation of Half Japanese.
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