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Anina Karma Kjeldsen

Зріст: 171 см

Всього фільмів (на сайті): 2

Ролі: актор

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Знайдено 2 результати

Chasing Talent (2012) актор у ролі Monique 0.0 imdb 4.3
Сюжет (англ.) Laura turns out to be a highly talented inventor, who has her talent/genius stolen by her talentless pop singer boyfriend, using a stolen machine meant for measuring talent.

Chasing Talent (2012)

Chasing Talent

актор у ролі Monique актор у ролі Monique
Сюжет (англ.) Laura turns out to be a highly talented inventor, who has her talent/genius stolen by her talentless pop singer boyfriend, using a stolen machine meant for measuring talent.
The Early Years: Erik Nietzsche Part 1 (2007) актор у ролі Nietzsche's desired girl 0.0 imdb 6.2
Сюжет (англ.) Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.

The Early Years: Erik Nietzsche Part 1 (2007)

The Early Years: Erik Nietzsche Part 1

актор у ролі Nietzsche's desired girl актор у ролі Nietzsche's desired girl
Сюжет (англ.) Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.
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