Alexei Kosygin
Дата народження: 20 лютого 1904
Знак зодіаку: Риби
Дата смерті: 18 грудня 1980 (76 років)
Місце народження: санкт-петербург, російська імперія [тепер росія]
Зріст: 179 см
Всього фільмів (на сайті): 2
Ролі: актор
Знайдено 2 результати
7.3 Сюжет (англ.)
The incredible story of two small remote controlled rovers sent by the Soviets to the moon in the 1970's.
Tank on the Moon (2007)
Tank on the Moon
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The incredible story of two small remote controlled rovers sent by the Soviets to the moon in the 1970's.
Сюжет (англ.)
Guy Debord's landmark cinematic analysis of consumer society is based on his influential sociological book "La société du spectacle" (1967). Debord was a leading member of the avant-garde art movement 'Situationist International'. This cinematic essay uses their method of 'détournement' to decontextualize and rearrange preexisting audiovisual materials and texts to critizise them and create new meaning. The result is a subversive collage of ideological (moving) images from socialist and capitalist societies that are presented here as artefacts of a global media 'spectacle': Social relations between people are mediated by artificial images and false representations that transform humans into mere passive consumers and 'spectators' of their alienated existence. Guy Debord's motivation was to create a radical social critique and a disruptive, anti-illusionist cinema as an antidote and revolutionary tool against the dominant cultural and sociopolitical forces of his time.
The Society of the Spectacle (1974)
The Society of the Spectacle
Читати опис (англ.)
Guy Debord's landmark cinematic analysis of consumer society is based on his influential sociological book "La société du spectacle" (1967). Debord was a leading member of the avant-garde art movement 'Situationist International'. This cinematic essay uses their method of 'détournement' to decontextualize and rearrange preexisting audiovisual materials and texts to critizise them and create new meaning. The result is a subversive collage of ideological (moving) images from socialist and capitalist societies that are presented here as artefacts of a global media 'spectacle': Social relations between people are mediated by artificial images and false representations that transform humans into mere passive consumers and 'spectators' of their alienated existence. Guy Debord's motivation was to create a radical social critique and a disruptive, anti-illusionist cinema as an antidote and revolutionary tool against the dominant cultural and sociopolitical forces of his time.
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