Rosa Dias
Всього фільмів (на сайті): 12
Ролі: сценаристка ★ 4 (8), актриса (4), кінематографістка (1), продюсерка (1)
Знайдено 4 результати
6.0 Сюжет (англ.)
The fictional encounter in Rio de Janeiro, Brazil (in the 30s) between popular songwriter Lamartine Babo and inconoclast poet and playwright Oswald de Andrade.
Сюжет (англ.)
A 1972 Portuguese language drama/adventure film written and directed by Júlio Bressane, starring Rosa Dias and Elyseu Visconti.
A Fada do Oriente (1971)
A Fada do Oriente
Читати опис (англ.)
A 1972 Portuguese language drama/adventure film written and directed by Júlio Bressane, starring Rosa Dias and Elyseu Visconti.
Сюжет (англ.)
Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".
Crazy Love (1971)
Crazy Love
Читати опис (англ.)
Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".Увійдіть, будь ласка, щоб коментувати
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