Фільмографія
Знайдено 20 результатів
5.6 Сюжет (англ.)
An event planning agency must deal with the challenges and complications in organizing a memorable event. Lots of stress, dreams and emotions all come together to provide indelible moments in the lives of many people. A series tha...Сюжет (англ.)
An event planning agency must deal with the challenges and complications in organizing a memorable event. Lots of stress, dreams and emotions all come together to provide indelible moments in the lives of many people. A series tha...Сюжет (англ.)
Tamara, an edgy feminist philosopher, rediscovers a past she thought she had left behind.
Сюжет (англ.)
Tamara, an edgy feminist philosopher, rediscovers a past she thought she had left behind.Сюжет (англ.)
At the age of 30, Nicolasa, June and Mimi face their social obligations, desires, and frustrations. Comedy-Drama
Сюжет (англ.)
At the age of 30, Nicolasa, June and Mimi face their social obligations, desires, and frustrations. Comedy-DramaСюжет (англ.)
Mariel wants to play Isabella in Shakespeare's "Measure for Measure". Luciana, who is also an actress, helps her rehearse the part. But during the audition, Mariel realizes that Luciana is trying out for the same role.
Сюжет (англ.)
Mariel wants to play Isabella in Shakespeare's "Measure for Measure". Luciana, who is also an actress, helps her rehearse the part. But during the audition, Mariel realizes that Luciana is trying out for the same role.Сюжет (англ.)
Lola, a young playwright and drama director, goes into a crisis before her new play is released. Her leading actress raises time and again that she has problems with the text. A friend of ...
Сюжет (англ.)
Lola, a young playwright and drama director, goes into a crisis before her new play is released. Her leading actress raises time and again that she has problems with the text. A friend of ...Сюжет (англ.)
Jesus and Maria José live together in the grand house that belonged to their recently deceased father. Their playful routine is disrupted when Magdalena, their half sister on their dad’s side, returns from Spain asking for her share of the inheritance. What are they going to do about this interloper into their dangerous folie à deux?
Сюжет (англ.)
Jesus and Maria José live together in the grand house that belonged to their recently deceased father. Their playful routine is disrupted when Magdalena, their half sister on their dad’s side, returns from Spain asking for her share of the inheritance. What are they going to do about this interloper into their dangerous folie à deux?Сюжет (англ.)
Actress Romina Paula points the camera at herself, her son and her mother in this mixture of documentary and fiction. A returns to her roots to rediscover who she is.
Сюжет (англ.)
Actress Romina Paula points the camera at herself, her son and her mother in this mixture of documentary and fiction. A returns to her roots to rediscover who she is.Сюжет (англ.)
A film in six episodes, connected by the same four actresses, full of various subplots that play with narrative and different cinematic genres , everything structured in an unusual way.
Сюжет (англ.)
A film in six episodes, connected by the same four actresses, full of various subplots that play with narrative and different cinematic genres , everything structured in an unusual way.Сюжет (англ.)
As a child, Lucas falls in love with Ana. His story is truncated: she moves away and he loses track of her. Today Lucas does crossword puzzles and has almost zero love-sexual life. Meanwhile, his friend Santiago has a blind date with Verónica that ends after a few seconds. Verónica's neighbor is in a secret and quite toxic relationship.
Cuando Brillan las Estrellas (2018)
Cuando Brillan las Estrellas
актор у ролі Lucas актор у ролі Lucas
Сюжет (англ.)
As a child, Lucas falls in love with Ana. His story is truncated: she moves away and he loses track of her. Today Lucas does crossword puzzles and has almost zero love-sexual life. Meanwhile, his friend Santiago has a blind date with Verónica that ends after a few seconds. Verónica's neighbor is in a secret and quite toxic relationship.Сюжет (англ.)
In a snowy and industrial city in the south of Argentina, Paula, a 23-year-old girl from Buenos Aires, starts an intense job hunt with the sole purpose of saving money. The lack of a job, a...
Сюжет (англ.)
In a snowy and industrial city in the south of Argentina, Paula, a 23-year-old girl from Buenos Aires, starts an intense job hunt with the sole purpose of saving money. The lack of a job, a...Сюжет (англ.)
"Embrace Me" tells the story of Joaco, a shy boy who secretly likes a girl, Josefina. The night of their first date, the situation turns sinister and she disappears just leaving a trace of ...
Сюжет (англ.)
"Embrace Me" tells the story of Joaco, a shy boy who secretly likes a girl, Josefina. The night of their first date, the situation turns sinister and she disappears just leaving a trace of ...Сюжет (англ.)
Jazmín, a young woman living in Mexico City, is nonplussed when she receives a call informing her that her father Toussaint, an illegal Haitian immigrant, is ill. She hasn't seen him in ...
Сюжет (англ.)
Jazmín, a young woman living in Mexico City, is nonplussed when she receives a call informing her that her father Toussaint, an illegal Haitian immigrant, is ill. She hasn't seen him in ...Сюжет (англ.)
Hermia & Helena is a film of dead ends and new beginnings, navigating different hemispheres and languages with amorous detours, where the written words of Shakespeare clash with the entanglements of modern, digital life.
Сюжет (англ.)
Hermia & Helena is a film of dead ends and new beginnings, navigating different hemispheres and languages with amorous detours, where the written words of Shakespeare clash with the entanglements of modern, digital life.Сюжет (англ.)
Between the documentary record and some scenes of fiction, Juan Villegas inquires about Adán Buenosayres, the most emblematic novel of Leopoldo Marechal.
Adán Buenosayres. La película (2016)
Adán Buenosayres. La película
зіграв самого себе зіграв самого себе
Сюжет (англ.)
Between the documentary record and some scenes of fiction, Juan Villegas inquires about Adán Buenosayres, the most emblematic novel of Leopoldo Marechal.Сюжет (англ.)
Five young people are involved in a serious car accident that leaves four of them dead. Isabel, the youngest, is the only survivor and helps her four friends realize they have passed on.
Сюжет (англ.)
Five young people are involved in a serious car accident that leaves four of them dead. Isabel, the youngest, is the only survivor and helps her four friends realize they have passed on.
Сюжет (англ.)
A group of actresses performing in a production of Shakespeare's "Twelfth Night" get caught up in a web of romantic intrigue and revelation.
Сюжет (англ.)
A group of actresses performing in a production of Shakespeare's "Twelfth Night" get caught up in a web of romantic intrigue and revelation.Сюжет (англ.)
Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups ...
Сюжет (англ.)
Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups ...Сюжет (англ.)
Buenos Aires, March 1982. On the streets of the Argentinean capital, people are challenging the military dictatorship. The walls of the school are thick and redoubtable. A secure promise of the guaranteed preservation of the good old days of school routine from anything that may happen outside its walls in the neighbouring streets, in Buenos Aires itself, in the Argentina of 1982. MarÃa Teresa is a classroom assistant at that school, an innocent - or maybe just ignorant - mistress of ceremonies, a bystander. She is twenty years old. She started work when it was still summer and Mr. Biasutto, the chief classroom assistant, made quite clear to her at her first interview the sort of attitude she is expected to adopt with students because it would not be an easy task to arrive at what he called 'the optimum surveillance point': Always on the 'qui vive', never missing a thing, but never giving cause for alarm amongst the students. A surveillance which would pick up on everything but would never be picked up on itself. A fleeting look on the face of the pervert, or the warden, or maybe the master. But if everything is out of order -even for her-, everything is transgression. And when MarÃa Teresa, hot on the trail of the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys lavatories to catch smokers in flagrante delicto and haul them up before the authorities, slowly morphing the whole procedure into a clandestine habit of dubious piquancy; not exactly breaking the rules but bending them willy nilly, twisting, diverting them come what may but, of course, with utter correctness and obeisance to a surveillance emanating from the inflexible custodianship of a complete and atrocious normality. Surveillance, custodianship that could possibly be enforced beyond the boundaries of this enclosed world, because beyond the sheer masonry encasing this school, where the future ruling classes have studied and are studying, there is another world, there is an entire country that has virtually nothing to do with it.
Сюжет (англ.)
Buenos Aires, March 1982. On the streets of the Argentinean capital, people are challenging the military dictatorship. The walls of the school are thick and redoubtable. A secure promise of the guaranteed preservation of the good old days of school routine from anything that may happen outside its walls in the neighbouring streets, in Buenos Aires itself, in the Argentina of 1982. MarÃa Teresa is a classroom assistant at that school, an innocent - or maybe just ignorant - mistress of ceremonies, a bystander. She is twenty years old. She started work when it was still summer and Mr. Biasutto, the chief classroom assistant, made quite clear to her at her first interview the sort of attitude she is expected to adopt with students because it would not be an easy task to arrive at what he called 'the optimum surveillance point': Always on the 'qui vive', never missing a thing, but never giving cause for alarm amongst the students. A surveillance which would pick up on everything but would never be picked up on itself. A fleeting look on the face of the pervert, or the warden, or maybe the master. But if everything is out of order -even for her-, everything is transgression. And when MarÃa Teresa, hot on the trail of the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys lavatories to catch smokers in flagrante delicto and haul them up before the authorities, slowly morphing the whole procedure into a clandestine habit of dubious piquancy; not exactly breaking the rules but bending them willy nilly, twisting, diverting them come what may but, of course, with utter correctness and obeisance to a surveillance emanating from the inflexible custodianship of a complete and atrocious normality. Surveillance, custodianship that could possibly be enforced beyond the boundaries of this enclosed world, because beyond the sheer masonry encasing this school, where the future ruling classes have studied and are studying, there is another world, there is an entire country that has virtually nothing to do with it.
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