Фільмографія
Знайдено 5 результатів
6.9 Сюжет (англ.)
Based on a traditional African tale. A king has the habit whilst walking in disguise on the streets of his kingdom to listen to the wishes of his own people. One day he overhears two ...
Сюжет (англ.)
Based on a traditional African tale. A king has the habit whilst walking in disguise on the streets of his kingdom to listen to the wishes of his own people. One day he overhears two ...Сюжет (англ.)
A sorcerer (played by the director himself) controls all activities in a village. Manipulating the different parties, the sorcerer promises love, good health and riches in exchange for the ...
Сюжет (англ.)
A sorcerer (played by the director himself) controls all activities in a village. Manipulating the different parties, the sorcerer promises love, good health and riches in exchange for the ...Сюжет (англ.)
An Islamic faithful returns from his holy pilgrimage to Mecca with the venerated title "el hajji". On his return he falls in love with his daughter's friend Santou, who is already engaged ...
Сюжет (англ.)
An Islamic faithful returns from his holy pilgrimage to Mecca with the venerated title "el hajji". On his return he falls in love with his daughter's friend Santou, who is already engaged ...Сюжет (англ.)
Cabascabo, a veteran of the French colonial army in Indochina, returns to his home town in Niger, acclaimed by friends and relatives. In fragmented flash-backs, he tells the story of his adventure and the battles in that distant land.
Cabascabo (1969)
Cabascabo
режисер, сценарист, актор у ролі Cabascabo режисер, сценарист, актор у ролі Cabascabo
Сюжет (англ.)
Cabascabo, a veteran of the French colonial army in Indochina, returns to his home town in Niger, acclaimed by friends and relatives. In fragmented flash-backs, he tells the story of his adventure and the battles in that distant land.Сюжет (англ.)
"I, a Negro" depicts young Nigerien immigrants who left their country to find work in the Ivory Coast, in the Treichville quarter of Abidjan, the capital. These immigrants live in squalor in Treichville, envious of the bordering quarters of The Plateau (the business and industrial district) and the old African quarter of Adjame. The film traces a week in these immigrants' lives, blurring the line between their characters' routines and their own. Every morning, Tarzan, Eddy Constantine and Edward G. Robinson seek work in Treichville in hopes of getting the 20 francs that a bowl of soup costs them. They perform menial jobs as dockers carrying sacks and handy labor shipping supplies to Europe. At night, they drink away their sorrows in bars while dreaming about their idealized lives as their "movie" alter-egos, alternatively as an FBI Agent, a womanizing bachelor, a successful boxer, and even able to stand up to the white colonialists that seduce away their women. These dream-like sequences are shot in a poetic mode. Each day is introduced by an interstitial voice of god omniscient narration from Jean Rouch, providing a universal thematic distance to the movie's events. The film is book-ended by a narration directed at both Petit Jules and the audience from Edward G. Robinson fondly looking back on his childhood in Niger and concluding that his life is worthy of his dreams.
Сюжет (англ.)
"I, a Negro" depicts young Nigerien immigrants who left their country to find work in the Ivory Coast, in the Treichville quarter of Abidjan, the capital. These immigrants live in squalor in Treichville, envious of the bordering quarters of The Plateau (the business and industrial district) and the old African quarter of Adjame. The film traces a week in these immigrants' lives, blurring the line between their characters' routines and their own. Every morning, Tarzan, Eddy Constantine and Edward G. Robinson seek work in Treichville in hopes of getting the 20 francs that a bowl of soup costs them. They perform menial jobs as dockers carrying sacks and handy labor shipping supplies to Europe. At night, they drink away their sorrows in bars while dreaming about their idealized lives as their "movie" alter-egos, alternatively as an FBI Agent, a womanizing bachelor, a successful boxer, and even able to stand up to the white colonialists that seduce away their women. These dream-like sequences are shot in a poetic mode. Each day is introduced by an interstitial voice of god omniscient narration from Jean Rouch, providing a universal thematic distance to the movie's events. The film is book-ended by a narration directed at both Petit Jules and the audience from Edward G. Robinson fondly looking back on his childhood in Niger and concluding that his life is worthy of his dreams.Коментарі:
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