Narendranath Mitra
Дата народження: 30 січня 1916
Знак зодіаку: Водолій
Дата смерті: 7 червня 1975 (59 років)
Місце народження: Sadardi, Faridpur, East Bengal, British India
Всього фільмів (на сайті): 4
Ролі: сценарист ★ 9
Знайдено 4 результати
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Сюжет (англ.)
An actor and a playwright becomes disgusted with contemporary drama trends of the time and resumes staying at his ancestral house with his helper and his mad love interest. He spends his time thinking about his disloyal wife who l...
The Return (1988)
The Return
Читати опис (англ.)
An actor and a playwright becomes disgusted with contemporary drama trends of the time and resumes staying at his ancestral house with his helper and his mad love interest. He spends his time thinking about his disloyal wife who l...
Сюжет (англ.)
Moti sells gurd in the market. He collects the raw material and takes them to an older woman, Mahjubhi, who makes exemplary gurd. Moti loves a village girl but is unable to afford to pay ...
Сюжет (англ.)
Calcutta in the early 1960's. Bhambal supports his wife Arati, his parents, and two children. Money is tight, so Arati goes to work. She's successful and enjoys it, but this untraditional step throws the household into chaos: her in-laws initiate a "cold war" of silence and disapproval. When Bhambal loses his job, her working is essential; he loses self respect, and the gulf between them widens. Arati questions whether to keep her daughter in school. At work, her friendship with Edith, a Euro-Indian who smokes, swears, and uses lipstick, brings Arati close to impertinence with her genial boss. Her job is imperiled, she acts impulsively, and who will understand her actions?
Велике місто (1963)
The Big City
16+Читати опис (англ.)
Calcutta in the early 1960's. Bhambal supports his wife Arati, his parents, and two children. Money is tight, so Arati goes to work. She's successful and enjoys it, but this untraditional step throws the household into chaos: her in-laws initiate a "cold war" of silence and disapproval. When Bhambal loses his job, her working is essential; he loses self respect, and the gulf between them widens. Arati questions whether to keep her daughter in school. At work, her friendship with Edith, a Euro-Indian who smokes, swears, and uses lipstick, brings Arati close to impertinence with her genial boss. Her job is imperiled, she acts impulsively, and who will understand her actions?
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