Фільмографія
3.3 
Сюжет (англ.)
The movie is about human rights especially women rights which describing worse Mindset of people about women`S position in society ... the movie starts like: Sahar`s mother is in the police...
When Did You See Sahar Last Time? (2016)
When Did You See Sahar Last Time?
кінематографіст
29 серпня 2018 (Світ)
Іран
1 год 46 хв
Читати опис (англ.)
The movie is about human rights especially women rights which describing worse Mindset of people about women`S position in society ... the movie starts like: Sahar`s mother is in the police...
Сюжет (англ.)
The story of a girl Negar who is from a descent family. Her father became broke and committed suicide according to police but Negar is not believing that. She decides to review her father's last days to find the truth.
Negar (2017)
Negar
кінематографіст
6 вересня 2017 (Світ)
Іран
1 год 33 хв
Читати опис (англ.)
The story of a girl Negar who is from a descent family. Her father became broke and committed suicide according to police but Negar is not believing that. She decides to review her father's last days to find the truth.
Сюжет (англ.)
With fascinating insights into everyday life in Tehran, the film portrays the 'inversion" of a woman, and her mutiny against male domination.
Сюжет (англ.)
A family reunion after several years.
Сюжет (англ.)
Siavash Roozbehan is a young man and he has lost his father after his mysterious suicide.His uncle is managing his father's wealth. He is in love with his cousin Mahtab whose father is his ...
Сюжет (англ.)
Forced into marriage, a thirteen year old Iraqi girl battles with her femininity in search for freedom.
Сюжет (англ.)
A couple who had a romantic marriage and life now are about to get divorce but meanwhile many people are intervening.
There's Always a Woman in Between (2008)
There's Always a Woman in Between
кінематографіст
1 січня 2008 (Світ)
Іран
1 год 37 хв
Читати опис (англ.)
A couple who had a romantic marriage and life now are about to get divorce but meanwhile many people are intervening.
Сюжет (англ.)
Blind since childhood, Youssef has a devoted wife, loving daughter, and successful university career, but his affliction fills him with secret torment. As if in answer to his prayers, a clinic restores his sight- a miracle that is double-edged. Although this new world of sight and color floods him with ecstacy- the breathtaking images seen through his reawakened eyes include a dazzling vista of snow-blanketed hills, a shower of molten gold sparks in a jewlery foundry, an array of lollipop lights behind a rain-speckled car window- it also plunges him into a labyrinth of confusion and temptations. A pretty student begins to enclipse his previously invisible wife; he silently watches a subway pickpoket, who fixes him with a look of withering complicity. Eager to claim the lost life he feels he is owed but unable to take the next step, Youssef is inflamed with possibility and paralyzed with egoism. A resonant metaphor for life's second chances and a powerful parable of sigh and insight, The Willow Tree's vivid imagery and emotional immediacy makes this Majid Majidi's most mature and ambitious film to date.
Верба (2005)
The Willow Tree
кінематографіст
11 серпня 2005 (Світ)
Іран
1 год 36 хв
Читати опис (англ.)
Blind since childhood, Youssef has a devoted wife, loving daughter, and successful university career, but his affliction fills him with secret torment. As if in answer to his prayers, a clinic restores his sight- a miracle that is double-edged. Although this new world of sight and color floods him with ecstacy- the breathtaking images seen through his reawakened eyes include a dazzling vista of snow-blanketed hills, a shower of molten gold sparks in a jewlery foundry, an array of lollipop lights behind a rain-speckled car window- it also plunges him into a labyrinth of confusion and temptations. A pretty student begins to enclipse his previously invisible wife; he silently watches a subway pickpoket, who fixes him with a look of withering complicity. Eager to claim the lost life he feels he is owed but unable to take the next step, Youssef is inflamed with possibility and paralyzed with egoism. A resonant metaphor for life's second chances and a powerful parable of sigh and insight, The Willow Tree's vivid imagery and emotional immediacy makes this Majid Majidi's most mature and ambitious film to date.
Сюжет (англ.)
Fifteen year old Taraneh, whose widowed father is in jail, refuses the unwanted attentions of carpet salesman Amir - until Amir's mother talks Taraneh into accepting Amir's marriage proposal. Within four months the couple realize tha
I'm Taraneh, 15 (2002)
I'm Taraneh, 15
кінематографіст
13 листопада 2002 (Світ)
Іран
1 год 50 хв
Читати опис (англ.)
Fifteen year old Taraneh, whose widowed father is in jail, refuses the unwanted attentions of carpet salesman Amir - until Amir's mother talks Taraneh into accepting Amir's marriage proposal. Within four months the couple realize tha
Сюжет (англ.)
Amin is a young journalist who goes to jail because of something that he wrote, his friends want to free him, but they can't so they decided to make money by throwing parties at his sister's house, but everything gets worse.
The Party (2001)
The Party
кінематографіст
3 жовтня 2000 (Світ)
Іран
1 год 28 хв
Читати опис (англ.)
Amin is a young journalist who goes to jail because of something that he wrote, his friends want to free him, but they can't so they decided to make money by throwing parties at his sister's house, but everything gets worse.
Сюжет (англ.)
In a hospital waiting room a woman learns her daughter, Solmaz Gholami, has just given birth. The ultrasound test had prepared the family for a boy. The baby, it turns out, is a girl. The joy the mother anticipated turns to terror for she knows her son-in-law's family will abandon her daughter. The old woman flees as the in-laws arrive. On the crowded streets of Tehran - a place where women are not permitted to stay out on their own or smoke in public - two women are also on the run. Arezou and Nargess have just been granted temporary leave from prison but they have no plans to return. They manage to scrounge together enough money for the bus trip to Nargess' hometown, but she lacks proper identification, and the police are searching everyone at the station. Meanwhile, their friend Pari has just escaped from prison in order to have an abortion. Threatened with death by her brothers, she flees from her father's house and meets with a former inmate, Elham, who is now married to a doctor and works in a hospital. Despite her connections, Elham is unable to help Pari in her hour of need. Despondent, Pari wanders the streets and chances upon Nayereh, a woman about to abandon her young daughter. Pari tries to stop her, but it is too late. Soon after, Nayareh, falsely accused of prostitution, is taken into custody by the police. As Panahi's narrative shifts dynamically from woman to woman, their stories culminate with tremendous potency, transforming a shared sense of despair and injustice into one kinship, and even hope.
Коло (2000)
The Circle
кінематографіст
8 вересня 2000 (Світ)
Іран, Італія, Швейцарія
1 год 30 хв
Читати опис (англ.)
In a hospital waiting room a woman learns her daughter, Solmaz Gholami, has just given birth. The ultrasound test had prepared the family for a boy. The baby, it turns out, is a girl. The joy the mother anticipated turns to terror for she knows her son-in-law's family will abandon her daughter. The old woman flees as the in-laws arrive. On the crowded streets of Tehran - a place where women are not permitted to stay out on their own or smoke in public - two women are also on the run. Arezou and Nargess have just been granted temporary leave from prison but they have no plans to return. They manage to scrounge together enough money for the bus trip to Nargess' hometown, but she lacks proper identification, and the police are searching everyone at the station. Meanwhile, their friend Pari has just escaped from prison in order to have an abortion. Threatened with death by her brothers, she flees from her father's house and meets with a former inmate, Elham, who is now married to a doctor and works in a hospital. Despite her connections, Elham is unable to help Pari in her hour of need. Despondent, Pari wanders the streets and chances upon Nayereh, a woman about to abandon her young daughter. Pari tries to stop her, but it is too late. Soon after, Nayareh, falsely accused of prostitution, is taken into custody by the police. As Panahi's narrative shifts dynamically from woman to woman, their stories culminate with tremendous potency, transforming a shared sense of despair and injustice into one kinship, and even hope.
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