Хендрік Френш Фервурд

Hendrik Frensch Verwoerd

Дата народження: 8 вересня 1901

Знак зодіаку: Діва

Дата смерті: 6 вересня 1966 (64 роки)

Місце народження: Амстердам, Норд-Голландія, Нідерланди

Всього фільмів (на сайті): 3

Ролі: актор

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Фільмографія

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Have You Heard from Johannesburg: Road to Resistance (2010) актор у ролі Self - prime minister of South Africa 1958-1966 0.0

8.6

Сюжет (англ.)

This first story in a seven part series covers almost twenty years of history. It is a story of escalating violence and repression, one nation on a collision course with the rest of the ...

Have You Heard from Johannesburg: Road to Resistance (2010)

Have You Heard from Johannesburg: Road to Resistance

актор у ролі Self - prime minister of South Africa 1958-1966

14 квітня 2010 (Світ)

документальний

США 1 год 5 хв

Connie Field

Читати опис (англ.)

This first story in a seven part series covers almost twenty years of history. It is a story of escalating violence and repression, one nation on a collision course with the rest of the ...

КіноБаза: 0.0 (0) IMDb: 8.6 (13)

Моя оцінка:

/10

His Big White Self (2006) зіграв самого себе 0.0

6.9

Сюжет (англ.)

15 years after his classic documentary "The Leader, His Driver, and the Driver's Wife", Nick Broomfield examines the history of the far-right AWB and its leader Eugene Terre'Blanche and ...

His Big White Self (2006)

His Big White Self

зіграв самого себе

3 квітня 2006 (Світ)

документальний

Велика Британія 1 год 32 хв

Нік Брумфілд

Читати опис (англ.)

15 years after his classic documentary "The Leader, His Driver, and the Driver's Wife", Nick Broomfield examines the history of the far-right AWB and its leader Eugene Terre'Blanche and ...

КіноБаза: 0.0 (0) IMDb: 6.9 (253)

Моя оцінка:

/10

Amandla! A Revolution in Four Part Harmony (2002) зіграв самого себе 0.0

7.4

Сюжет (англ.)

Through a chronological history of the South African liberation struggle, this documentary cites examples of the way that music was used in the fight for freedom. Songs united those who were being oppressed and gave those fighting a way to express their plight. The music consoled those incarcerated, and created an effective underground form of communication inside the prisons.