Georges Marchais
Дата народження: 7 червня 1920
Знак зодіаку: Близнята
Дата смерті: 16 листопада 1997 (77 років)
Місце народження: La Hoguette, Calvados, France
Всього фільмів (на сайті): 5
Ролі: актор
Фільмографія
5.6 Сюжет (англ.)
October 1980. Michel Colucci, better known as Coluche, is the French people's favorite comedian. He performs every night to a packed house at the Théâtre du Gymnase. One day, always inclined to go too far, Coluche announces - for laughs - his candidacy for the 1981 French presidential elections. Looked down upon by the professionals of politics, he is soon supported by French voters, who always love when a clown thumbs his nose at the mighty. In a poll published in December, he is even credited with 16% of voting intentions...
Coluche: l'histoire d'un mec (2008)
Coluche: l'histoire d'un mec
актор у ролі Lui-même
15 жовтня 2008 (Світ)
Франція
1 год 40 хв
Читати опис (англ.)
October 1980. Michel Colucci, better known as Coluche, is the French people's favorite comedian. He performs every night to a packed house at the Théâtre du Gymnase. One day, always inclined to go too far, Coluche announces - for laughs - his candidacy for the 1981 French presidential elections. Looked down upon by the professionals of politics, he is soon supported by French voters, who always love when a clown thumbs his nose at the mighty. In a poll published in December, he is even credited with 16% of voting intentions...
Сюжет (англ.)
Parody autobiography of Jacques Chirac, the former French president.
Being Jacques Chirac (2006)
Being Jacques Chirac
зіграв самого себе
31 травня 2006 (Світ)
Франція
1 год 30 хв
Читати опис (англ.)
Parody autobiography of Jacques Chirac, the former French president.
Сюжет (англ.)
This documentary traces the unrewarding, cynical and difficult world of photographers.
Сюжет (англ.)
Apostrophes is a French literary television program produced and hosted by Bernard Pivot, broadcast live on Antenne 2 between January 10, 1975, and June 22, 1990, every Friday evening at 9:40 p.m. Defined by Bernard Pivot as a "ma...
Apostrophes (1975—1990)
Apostrophes
Серіал 16 сезонів, 667 епізодів
Ток-шоу
Завершений
зіграв самого себе
10 січня 1975 (Світ)
Франція
Читати опис (англ.)
Apostrophes is a French literary television program produced and hosted by Bernard Pivot, broadcast live on Antenne 2 between January 10, 1975, and June 22, 1990, every Friday evening at 9:40 p.m. Defined by Bernard Pivot as a "ma...
Сюжет (англ.)
Guy Debord's landmark cinematic analysis of consumer society is based on his influential sociological book "La société du spectacle" (1967). Debord was a leading member of the avant-garde art movement 'Situationist International'. This cinematic essay uses their method of 'détournement' to decontextualize and rearrange preexisting audiovisual materials and texts to critizise them and create new meaning. The result is a subversive collage of ideological (moving) images from socialist and capitalist societies that are presented here as artefacts of a global media 'spectacle': Social relations between people are mediated by artificial images and false representations that transform humans into mere passive consumers and 'spectators' of their alienated existence. Guy Debord's motivation was to create a radical social critique and a disruptive, anti-illusionist cinema as an antidote and revolutionary tool against the dominant cultural and sociopolitical forces of his time.
The Society of the Spectacle (1974)
The Society of the Spectacle
зіграв самого себе
1 травня 1974 (Світ)
Франція
1 год 28 хв
Читати опис (англ.)
Guy Debord's landmark cinematic analysis of consumer society is based on his influential sociological book "La société du spectacle" (1967). Debord was a leading member of the avant-garde art movement 'Situationist International'. This cinematic essay uses their method of 'détournement' to decontextualize and rearrange preexisting audiovisual materials and texts to critizise them and create new meaning. The result is a subversive collage of ideological (moving) images from socialist and capitalist societies that are presented here as artefacts of a global media 'spectacle': Social relations between people are mediated by artificial images and false representations that transform humans into mere passive consumers and 'spectators' of their alienated existence. Guy Debord's motivation was to create a radical social critique and a disruptive, anti-illusionist cinema as an antidote and revolutionary tool against the dominant cultural and sociopolitical forces of his time.
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