Енріке Пінеда Барнет

Enrique Pineda Barnet

Дата народження: 28 жовтня 1933

Знак зодіаку: Скорпіон

Дата смерті: 12 січня 2021 (87 років)

Місце народження: Куба

Всього фільмів (на сайті): 5

Ролі: сценарист ★ 6 (3), режисер (2), актор (2)

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Знайдено 5 результатів

In the Heat of the Cold Years (2022) зіграв самого себе 0.0

0.0

Сюжет (англ.)

This film shows the post-revolutionary dynamics which, for ten years, will make cinema in Cuba an extraordinary cultural event. A film in memory of these pioneers.

In the Heat of the Cold Years (2022)

In the Heat of the Cold Years

зіграв самого себе зіграв самого себе

Сюжет (англ.)

This film shows the post-revolutionary dynamics which, for ten years, will make cinema in Cuba an extraordinary cultural event. A film in memory of these pioneers.

Green Green (2012) режисер, сценарист 0.0

5.7

Green Green (2012)

Green Green

режисер, сценарист режисер, сценарист

I Am Cuba, the Siberian Mammoth (2004) зіграв самого себе 0.0

7.3

Сюжет (англ.)

This film examines the creation and exhibition of the propaganda film I Am Cuba, a Soviet/Cuban collaboration unknown in the West until the 1990s.

I Am Cuba, the Siberian Mammoth (2004)

I Am Cuba, the Siberian Mammoth

зіграв самого себе зіграв самого себе

Сюжет (англ.)

This film examines the creation and exhibition of the propaganda film I Am Cuba, a Soviet/Cuban collaboration unknown in the West until the 1990s.

La bella del Alhambra (1989) режисер, сценарист 0.0

6.8

Сюжет (англ.)

Story shows the genesis of the career and the rise of Esther the most beloved actress of most popular theater in Havana at the turn of the 19th century.

La bella del Alhambra (1989)

La bella del Alhambra

режисер, сценарист режисер, сценарист

Сюжет (англ.)

Story shows the genesis of the career and the rise of Esther the most beloved actress of most popular theater in Havana at the turn of the 19th century.

I Am Cuba (1964) сценарист 6.0

8.2

Сюжет (англ.)

This study of Cuba--partially written by renowned poet Yevgeny Yevtushenko--captures the island just before it made the transition to a post-revolutionary society. Moving from city to country and back again, I AM CUBA examines the various problems caused by political oppression as well as by great discrepancies in wealth and power. Beginning in Havana in the pre-Castro era, we see how foreigners contributed to the city's prostitution and poverty; this sequence features dreamy, hallucinogenic camera work that creates a feeling of unease and dislocation. Then, in glorious images of palm tress and fertile land, the film looks at the sugar cane fields in the countryside, and the difficulties faced by peasants working the land. Finally, back in the city again, leftist students battle the police and a corrupt government--and pay a high price for their rebellion.