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Camille Chandellier

Всього фільмів (на сайті): 4

Ролі: продюсер

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Знайдено 4 результати

Acid (2018) продюсер 0.0 imdb 6.3
Сюжет (англ.) An ominous cloud is slowly moving inland, forcing the population to run away. As the cloud keeps on moving forward inescapably, panic strikes. The cloud is acid.

Acid (2018)

Acid

продюсер продюсер
Сюжет (англ.) An ominous cloud is slowly moving inland, forcing the population to run away. As the cloud keeps on moving forward inescapably, panic strikes. The cloud is acid.
À discrétion (2017) продюсер 0.0 imdb 7.3
Сюжет (англ.) Years ago, in Paris, a man frequented a strange place: a kind of secret club where "you watched people". A film producer senses that this experience could be material for a movie.

À discrétion (2017)

À discrétion

продюсер продюсер
Сюжет (англ.) Years ago, in Paris, a man frequented a strange place: a kind of secret club where "you watched people". A film producer senses that this experience could be material for a movie.
The Wounded Angel (2016) продюсер 0.0 imdb 6.6
Сюжет (англ.) In a godforsaken Kazakh village four adolescent teenagers try to find their place in the world.

The Wounded Angel (2016)

The Wounded Angel

продюсер продюсер
Сюжет (англ.) In a godforsaken Kazakh village four adolescent teenagers try to find their place in the world.
Pasolini (2014) продюсер 4.0 imdb 5.9
Сюжет (англ.) We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli (Riccardo Scamarcio), and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

Pasolini (2014)

Pasolini

18+
продюсер продюсер
Сюжет (англ.) We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli (Riccardo Scamarcio), and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
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