Анн Вяземські
Anne Wiazemsky
Дата народження: 14 травня 1947
Знак зодіаку: Телець
Дата смерті: 5 жовтня 2017 (70 років)
Місце народження: Берлін, Західна Німеччина
Всього фільмів (на сайті): 48
Фільмографія
Знайдено 48 результатів
6.6 
Сюжет
Париж, 1967 рік. Жан-Люк Годар є найкращим із режисерів свого часу. Він якраз працює над фільмом "Китаянка", де грає Анна Вяземськи – жінка, у яку Годар закохався. І нехай режисер на 20 років старший за акторку, його це не зупинить, і він готовий одружитися на дівчині, адже їм так добре разом. Але їх шлюб має несподіваний вплив на кар'єру Жан-Люка – фільм через це викликав небувалий скандал. У травні 1968 року Годар навіть приєднується до революційних рухів. Конфлікти і чисельні непорозуміння змінюють режисера зсередини. Жан-Люк Годар із тих людей, які мають мету й ітимуть до кінця. Це справжнє життя великого режисера.
Сюжет
Париж, 1967 рік. Жан-Люк Годар є найкращим із режисерів свого часу. Він якраз працює над фільмом "Китаянка", де грає Анна Вяземськи – жінка, у яку Годар закохався. І нехай режисер на 20 років старший за акторку, його це не зупинить, і він готовий одружитися на дівчині, адже їм так добре разом. Але їх шлюб має несподіваний вплив на кар'єру Жан-Люка – фільм через це викликав небувалий скандал. У травні 1968 року Годар навіть приєднується до революційних рухів. Конфлікти і чисельні непорозуміння змінюють режисера зсередини. Жан-Люк Годар із тих людей, які мають мету й ітимуть до кінця. Це справжнє життя великого режисера.Сюжет (англ.)
Jean-Luc Godard and François Truffaut, their careers, their friendship and their impact on the French New Wave of the 1960s.
Сюжет (англ.)
Jean-Luc Godard and François Truffaut, their careers, their friendship and their impact on the French New Wave of the 1960s.Сюжет
Щотижневе літературне токшоу, де: запрошують письменників, обговорюють нові книжки, говорять про класику й сучасну літературу, дискутують про культуру читання.
Сюжет
Щотижневе літературне токшоу, де: запрошують письменників, обговорюють нові книжки, говорять про класику й сучасну літературу, дискутують про культуру читання.Сюжет (англ.)
A 10 year old girl lives in post WWII rural France with her parents, who are about to divorce. Her older sister leaves home to finish school, and the young girl is left with a mysterious, ...
Сюжет (англ.)
A 10 year old girl lives in post WWII rural France with her parents, who are about to divorce. Her older sister leaves home to finish school, and the young girl is left with a mysterious, ...Сюжет (англ.)
After the death of her mother Marianne, a young cellist discovers that her father had a mistress. In order to find her, she casts aside her boyfriend Étienne. The mistress is a pianist ...
Сюжет (англ.)
After the death of her mother Marianne, a young cellist discovers that her father had a mistress. In order to find her, she casts aside her boyfriend Étienne. The mistress is a pianist ...Сюжет (англ.)
French filmmakers were given the opportunity in this Tv series to portray an episode about the coming of age of young people during one of the past few decades, accompanied by music of that period.
All the Boys and Girls of Their Time (1993—1994)
All the Boys and Girls of Their Time
сценаристка сценаристка
Сюжет (англ.)
French filmmakers were given the opportunity in this Tv series to portray an episode about the coming of age of young people during one of the past few decades, accompanied by music of that period.
Сюжет (англ.)
Paltiel Kossover leaves his home country Russia because of the Jewish persecutions. From Berlin to Paris, he will discover politics, poetry, love before coming back to his native land.
Le testament d'un poète juif assassiné (1988)
Le testament d'un poète juif assassiné
актриса у ролі Raissa Kossover актриса у ролі Raissa Kossover
Сюжет (англ.)
Paltiel Kossover leaves his home country Russia because of the Jewish persecutions. From Berlin to Paris, he will discover politics, poetry, love before coming back to his native land.
Сюжет (англ.)
A young film director is turning a movie with his friend Christa (reminds us of the real-life relationship between Garrel and Nico). In the film-within-the-film there are two couples, one ...
She Spent So Many Hours Under the Sun Lamps (1985)
She Spent So Many Hours Under the Sun Lamps
актриса у ролі Christa актриса у ролі Christa
Сюжет (англ.)
A young film director is turning a movie with his friend Christa (reminds us of the real-life relationship between Garrel and Nico). In the film-within-the-film there are two couples, one ...Сюжет (англ.)
A woman and three men. Nina, who's come to Paris to act and sleeps with any man at hand, meets Paulot, a young estate agent; he's smitten. She also meets Paulot's flatmate Quentin, a compulsive who stalks her. To Paulot's jealous dismay, she's willing to sleep with Quentin, and wants Paulot's friendship. After a desperate act by Quentin, Nina and Paulot share a flat, but she still won't take him as a lover; instead, her energy goes into a production of "Romeo and Juliet" directed by a detached, intense man who becomes her father figure. Quentin's ghost taunts her, Paulot wants to end all contact, and the director plans to return to London. The art of the theater may be her only refuge.
Rendez-vous (1985)
Rendez-vous
18+
актриса у ролі L'administratrice актриса у ролі L'administratrice
Сюжет (англ.)
A woman and three men. Nina, who's come to Paris to act and sleeps with any man at hand, meets Paulot, a young estate agent; he's smitten. She also meets Paulot's flatmate Quentin, a compulsive who stalks her. To Paulot's jealous dismay, she's willing to sleep with Quentin, and wants Paulot's friendship. After a desperate act by Quentin, Nina and Paulot share a flat, but she still won't take him as a lover; instead, her energy goes into a production of "Romeo and Juliet" directed by a detached, intense man who becomes her father figure. Quentin's ghost taunts her, Paulot wants to end all contact, and the director plans to return to London. The art of the theater may be her only refuge.Сюжет (англ.)
In the Monkey Island, populated by men and frog women, spies covet sacred frogs.
Сюжет (англ.)
In the Monkey Island, populated by men and frog women, spies covet sacred frogs.Сюжет (англ.)
Famous actresses talk about their role in the movie industry, and the demand to "be beautiful and shut up".
Сюжет (англ.)
Famous actresses talk about their role in the movie industry, and the demand to "be beautiful and shut up".Сюжет (англ.)
The life of workers and their families in a construction site of a highway in 1965.
The Imprint of Giants (1980)
The Imprint of Giants
12+
актриса у ролі La Marraine актриса у ролі La Marraine
Сюжет (англ.)
The life of workers and their families in a construction site of a highway in 1965.
Сюжет (англ.)
Four chapters based on the birth of a 'secret child', or a film, with chapter titles: "La séction Césarienne" (Caesarian section: a descriptive detail introducing the mother); "Le dernier ...
Сюжет (англ.)
Four chapters based on the birth of a 'secret child', or a film, with chapter titles: "La séction Césarienne" (Caesarian section: a descriptive detail introducing the mother); "Le dernier ...
Сюжет (англ.)
Three episodes from the history of socialism: Babeuf, whose virulent discourse is a radical assessment of the bourgeois revolution of 1789 (Vincent Nordon episode); the legend of Napoleon I, or the formation of the state as it still dominates today (François Barat episode); and the carnage of the Paris Commune, which official history strives to repress and forget (Joël Farges episode). What does it mean to make a historical film today? It means illuminating the present in the light of the past, and therefore adopting the new modes of modern storytelling to challenge what dominates us, structures us, and oppresses us.
Civil Wars in France (1978)
Civil Wars in France
актриса у ролі Elisabeth Dimitrieff (segment "La semaine sanglante") актриса у ролі Elisabeth Dimitrieff (segment "La semaine sanglante")
Сюжет (англ.)
Three episodes from the history of socialism: Babeuf, whose virulent discourse is a radical assessment of the bourgeois revolution of 1789 (Vincent Nordon episode); the legend of Napoleon I, or the formation of the state as it still dominates today (François Barat episode); and the carnage of the Paris Commune, which official history strives to repress and forget (Joël Farges episode). What does it mean to make a historical film today? It means illuminating the present in the light of the past, and therefore adopting the new modes of modern storytelling to challenge what dominates us, structures us, and oppresses us.Сюжет (англ.)
A poll for an advertising agency during a working day resulting in a series of meetings with women and men from different social strata, each one of them with a different problem.
Сюжет (англ.)
A poll for an advertising agency during a working day resulting in a series of meetings with women and men from different social strata, each one of them with a different problem.Сюжет (англ.)
Televised pet magazine. Each week special pets are showcased and their owners. All kinds of animals are shown. Sometimes even celebrities and their pets would be featured.
Сюжет (англ.)
Televised pet magazine. Each week special pets are showcased and their owners. All kinds of animals are shown. Sometimes even celebrities and their pets would be featured.
Сюжет (англ.)
Apostrophes is a French literary television program produced and hosted by Bernard Pivot, broadcast live on Antenne 2 between January 10, 1975, and June 22, 1990, every Friday evening at 9:40 p.m. Defined by Bernard Pivot as a "ma...
Сюжет (англ.)
Apostrophes is a French literary television program produced and hosted by Bernard Pivot, broadcast live on Antenne 2 between January 10, 1975, and June 22, 1990, every Friday evening at 9:40 p.m. Defined by Bernard Pivot as a "ma...
Сюжет (англ.)
A very personal interpretation, to say the least, of the passion of the Christ According to St. John.
The Truth About the Imaginary Passion of an Unknown (1974)
The Truth About the Imaginary Passion of an Unknown
актриса у ролі Le Christ-femme актриса у ролі Le Christ-femme
Сюжет (англ.)
A very personal interpretation, to say the least, of the passion of the Christ According to St. John.Сюжет (англ.)
Two people, a Frenchman Julien Maroyeur and a Jewish German woman (Anna Kupfer) met on a train while escaping the German army entering France.
Сюжет (англ.)
Two people, a Frenchman Julien Maroyeur and a Jewish German woman (Anna Kupfer) met on a train while escaping the German army entering France.
Сюжет (англ.)
An ode to liberated speech and to the power of words, "those one speaks to others, those one speaks in silence", Alain Tanner's third film is inspired by a poet and a poetic text which deeply affected him as a young director.
Сюжет (англ.)
An ode to liberated speech and to the power of words, "those one speaks to others, those one speaks in silence", Alain Tanner's third film is inspired by a poet and a poetic text which deeply affected him as a young director.
Сюжет (англ.)
Godard examines the structure of movies, relationships and revolutions through the life of a couple in Paris.
Сюжет (англ.)
Godard examines the structure of movies, relationships and revolutions through the life of a couple in Paris.Сюжет (англ.)
Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.
Сюжет (англ.)
Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.Коментарі:
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