6.1 Сюжет (англ.)
Single frame exposures of words, color.
Word Movie (1966)
Word Movie
1 січня 1966 (Світ)
США
4 хв
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Single frame exposures of words, color.
Сюжет (англ.)
The artist uses polka dots to cover and conceal people, animals, the environment, and everything around. It is a metaphor of giving up identity, abolishing uniqueness, and becoming one with the universe-or "self-obliteration."
Kusama's Self-Obliteration (1967)
Kusama's Self-Obliteration
31 грудня 1967 (Світ)
США
24 хв
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The artist uses polka dots to cover and conceal people, animals, the environment, and everything around. It is a metaphor of giving up identity, abolishing uniqueness, and becoming one with the universe-or "self-obliteration."
Сюжет (англ.)
An animated short accompanied by a composition by jazz drummer Chico Hamilton.
Shearing Animation (1961)
Shearing Animation
1 січня 1961 (Світ)
США
1 хв
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An animated short accompanied by a composition by jazz drummer Chico Hamilton.
Сюжет (англ.)
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At ...
Drums West (1961)
Drums West
31 грудня 1961 (Світ)
США
3 хв
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This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At ...
Сюжет (англ.)
In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.
Zen for Film (1964)
Zen for Film
21 березня 1964 (Світ)
США
20 хв
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In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.
Сюжет (англ.)
Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall.
Сюжет (англ.)
Danish performance artist Eric Andersen, associated since the early 1960s with the Fluxus art movement, describes his film as a montage of "single frame exposures, color, different image each frame, various items in the room, etc."
Opus 74, Version 2 (1966)
Opus 74, Version 2
1 січня 1966 (Світ)
США, Данія
1 хв
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Danish performance artist Eric Andersen, associated since the early 1960s with the Fluxus art movement, describes his film as a montage of "single frame exposures, color, different image each frame, various items in the room, etc."
Сюжет (англ.)
A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.
Eyeblink (1966)
Eyeblink
10 березня 1966 (Світ)
США
1 хв
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A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.
Сюжет (англ.)
Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.
Odds & Ends (1959)
Odds & Ends
1 січня 1959 (Світ)
США
4 хв
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Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.
Сюжет (англ.)
N/A
Сюжет
Експериментальний фільм Стена Брекіджа, створений шляхом малювання зображень безпосередньо на самій кіноплівці.
Міф про око (1967)
Eye Myth
28 серпня 1977 (Світ)
США
1 хв
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Експериментальний фільм Стена Брекіджа, створений шляхом малювання зображень безпосередньо на самій кіноплівці.
Сюжет (англ.)
A happy little potter is approached by a huge hand which wants him to sculpt its statue. The potter refuses, wanting nothing more than to be left alone with his only friend, a potted plant....
The Hand (1965)
The Hand
1 січня 1965 (Світ)
Чехословаччина (1918-1992)
18 хв
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A happy little potter is approached by a huge hand which wants him to sculpt its statue. The potter refuses, wanting nothing more than to be left alone with his only friend, a potted plant....
Сюжет (англ.)
A short film which documents Dutch artist Karel Appel working in his studio.
The Reality of Karel Appel (1962)
The Reality of Karel Appel
31 травня 1962 (Світ)
Нідерланди
15 хв
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A short film which documents Dutch artist Karel Appel working in his studio.
Сюжет (англ.)
N/A
Сюжет (англ.)
An elegant and humorous film-in the guise of a serious anthropological treatise-spotlights "The Perfect Human," a model of the modern Dane created by our wishful thinking.
The Perfect Human (1967)
The Perfect Human
14 червня 1968 (Світ)
Данія
13 хв
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An elegant and humorous film-in the guise of a serious anthropological treatise-spotlights "The Perfect Human," a model of the modern Dane created by our wishful thinking.Сюжет (англ.)
N/A
3/60: Trees in Autumn (1960)
3/60: Trees in Autumn
1 січня 1960 (Світ)
Австрія
5 хв
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N/A
Сюжет (англ.)
A short film that shows the work of the Inuit artist Kenojuak Ashevak.
Eskimo Artist: Kenojuak (1964)
Eskimo Artist: Kenojuak
1 січня 1964 (Світ)
Канада
20 хв
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A short film that shows the work of the Inuit artist Kenojuak Ashevak.
Сюжет
Кубелку попросили зняти документальний фільм про поїздку європейських мисливців до Африки. Використовуючи екстремальний монтаж та революційну аудіо-відео синхронізацію для ілюзії безперервності подій, режисеру вдалося створити один з найважливіших експериментальних фільмів усіх часів.
Наша африканська подорож (1966)
Our Trip to Africa
14 жовтня 1966 (Світ)
Австрія
13 хв
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Кубелку попросили зняти документальний фільм про поїздку європейських мисливців до Африки. Використовуючи екстремальний монтаж та революційну аудіо-відео синхронізацію для ілюзії безперервності подій, режисеру вдалося створити один з найважливіших експериментальних фільмів усіх часів.Фільтр
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