6.8 Сюжет (англ.)
Woman is avenging the death of her husband in this slightly supernatural drama.
Mermaid Legend (1984)
Mermaid Legend
14 квітня 1984 (Світ)
Японія
1 год 50 хв
Читати опис (англ.)
Woman is avenging the death of her husband in this slightly supernatural drama.
Сюжет (англ.)
A young criminal joins a yakuza family to kill the gangsters who beat him up, but falls in love with his boss' widow niece, piling up enemies and corpses along his wayward way.
Battles Without Honor and Humanity: Deadly Fight in Hiroshima (1973)
Battles Without Honor and Humanity: Deadly Fight in Hiroshima
28 квітня 1973 (Світ)
Японія
1 год 40 хв
Читати опис (англ.)
A young criminal joins a yakuza family to kill the gangsters who beat him up, but falls in love with his boss' widow niece, piling up enemies and corpses along his wayward way.
Сюжет (англ.)
In 1972, Miyuki tells her ex-lover Kazuo that she's going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women's commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view?
Extreme Private Eros: Love Song 1974 (1974)
Extreme Private Eros: Love Song 1974
25 червня 1974 (Світ)
Японія
1 год 38 хв
Читати опис (англ.)
In 1972, Miyuki tells her ex-lover Kazuo that she's going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women's commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view?
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