7.6 Сюжет (англ.)
Little Henery the Chicken Hawk wants to prove he's big enough to hunt chickens, but he doesn't know what a chicken is. He labels Foghorn Leghorn a loud-mouthed shnook and dismisses him, prompting Foggy to indignantly try to prove he's a chicken and therefore fit to be Henery's prey.
The Foghorn Leghorn (1948)
The Foghorn Leghorn
9 жовтня 1948 (Світ)
США
6 хв
Читати опис (англ.)
Little Henery the Chicken Hawk wants to prove he's big enough to hunt chickens, but he doesn't know what a chicken is. He labels Foghorn Leghorn a loud-mouthed shnook and dismisses him, prompting Foggy to indignantly try to prove he's a chicken and therefore fit to be Henery's prey.
Сюжет (англ.)
A low-budget American indie with only a handful of characters seems an unlikely vehicle with which to express the complex issue of modern warfare, but Rick Rosenthal’s modest, ambitious Drones does just that. It begins in the Nevada desert, where new girl Sue Lawson (Eloise Mumford) joins airman Jack (Matt O’Leary) in a hot, windowless bunker from which they manoeuvre unmanned drones across the plains of Afghanistan. Their first day at work is awkward but polite, with Jack all too aware of Sue’s privileged status as daughter of a well-respected general. This, however, will be no ordinary mission: as they train their sights on an unarmed terrorist suspect, a power struggle erupts between the smart, sophisticated Sue and the dogged, blue-collar Jack. As tensions escalate, Rick Rosenthal’s gripping drama keeps us guessing as to who really has the upper hand, following the chilling concept of bloodless, remote-control conflict to a nail-biting conclusion.
Drones (2013)
Drones
16+
18 жовтня 2013 (Світ)
США
1 год 22 хв
Читати опис (англ.)
A low-budget American indie with only a handful of characters seems an unlikely vehicle with which to express the complex issue of modern warfare, but Rick Rosenthal’s modest, ambitious Drones does just that. It begins in the Nevada desert, where new girl Sue Lawson (Eloise Mumford) joins airman Jack (Matt O’Leary) in a hot, windowless bunker from which they manoeuvre unmanned drones across the plains of Afghanistan. Their first day at work is awkward but polite, with Jack all too aware of Sue’s privileged status as daughter of a well-respected general. This, however, will be no ordinary mission: as they train their sights on an unarmed terrorist suspect, a power struggle erupts between the smart, sophisticated Sue and the dogged, blue-collar Jack. As tensions escalate, Rick Rosenthal’s gripping drama keeps us guessing as to who really has the upper hand, following the chilling concept of bloodless, remote-control conflict to a nail-biting conclusion.
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