5.1 Сюжет (англ.)
A thriller loosely based on Ian Wishart's book The Paradise Conspiracy, about the mysterious death of a New Zealander who happened upon international banking records after purchasing a used computer.
Spooked (2004)
Spooked
31 жовтня 2004 (Світ)
Нова Зеландія
1 год 34 хв
Читати опис (англ.)
A thriller loosely based on Ian Wishart's book The Paradise Conspiracy, about the mysterious death of a New Zealander who happened upon international banking records after purchasing a used computer.
Сюжет (англ.)
Saving Grace - Te Whakarauora Tangata is the final work of director Merata Mita, who passed away suddenly before the film could be completed. The film addresses some of the deepest and most distressing issues Māori communities face, and shows how extraordinary creative solutions are being provided by Māori communities themselves. Mita asks Maori men to front up to some grim realities by talking openly and honestly about the violence and abuse that has plagued their communities for many years. The film is a personal response to this violence, with Mita making a case for a return to an older model of Maori manhood, when men were the ones who sweetly sang the children to sleep. “Merata intended the documentary to count in ways that mattered deeply to her and to change perceptions of abuse and violence by using themes of responsibility, redemption, revitalisation, forgiveness and, most of all, love.” - Carol Hirschfeld, Māori Television.
Te Whakarauora Tangata (2011)
Te Whakarauora Tangata
23 жовтня 2011 (Світ)
Нова Зеландія
1 год 26 хв
Читати опис (англ.)
Saving Grace - Te Whakarauora Tangata is the final work of director Merata Mita, who passed away suddenly before the film could be completed. The film addresses some of the deepest and most distressing issues Māori communities face, and shows how extraordinary creative solutions are being provided by Māori communities themselves. Mita asks Maori men to front up to some grim realities by talking openly and honestly about the violence and abuse that has plagued their communities for many years. The film is a personal response to this violence, with Mita making a case for a return to an older model of Maori manhood, when men were the ones who sweetly sang the children to sleep. “Merata intended the documentary to count in ways that mattered deeply to her and to change perceptions of abuse and violence by using themes of responsibility, redemption, revitalisation, forgiveness and, most of all, love.” - Carol Hirschfeld, Māori Television.Фільтр Скинути фільтри
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